The start of a very occasional series takes as its key point the obvious and undeniable fact that the list of NME covers on Wikipedia is the very best page on the internet. But why stop there? Why can't we chart the whole of pop culture by rise and fall to standfirst prominence?
As such, here's a list, as much as we could find, of every Melody Maker cover from the start of the Eighties, when it started moving away from news pieces on the front, to its demise. Filling in the gaps is welcomed. And yes, we will do more of these in time.
05/01/1980 Paul McCartney
12/01/1980 Brian Eno
19/01/1980 The Beat
26/01/1980 The Pretenders
02/02/1980 Thomas Leer & Robert Rental, Def Leppard
09/02/1980 Squeeze
16/02/1980 Andy Warhol
23/02/1980 The Selecter
01/03/1980 Michael Jackson
08/03/1980 XTC
15/03/1980 Madness
22/03/1980 The Cramps
29/03/1980 Genesis
05/04/1980 The Undertones
12/04/1980 Billy Joel
19/04/1980
26/04/1980 Jah Wobble
(six weeks lost to strike action)
14/06/1980 Ted Nugent
21/06/1980 The Specials
28/06/1980 Joan Armatrading
05/07/1980 Peter Gabriel
12/07/1980 Any Trouble
19/07/1980 Elvis Costello
26/07/1980 The Police
02/08/1980 Mick Jagger
09/08/1980 Ray Davies
16/08/1980 Rainbow
23/08/1980 Grace Jones
30/08/1980 David Coverdale
06/09/1980 Kiss
13/09/1980 Yes
20/09/1980 Dire Straits
27/09/1980 Jon Anderson
04/10/1980 Kate Bush
11/10/1980 Paul Weller and Pete Townshend
18/10/1980 Gary Numan
25/10/1980 Madness
01/11/1980 Ian Dury
08/11/1980 Orchestral Manoevures In The Dark
15/11/1980 The Selecter
22/11/1980 Christmas Albums War (literally a story about there being some albums out at Christmas)
29/11/1980 Talking Heads
06/12/1980 Ian Dury
13/12/1980 John Lennon
20/12/1980 Steely Dan
27/12/1980 The Boomtown Rats
03/01/1981 Elvis Costello, The Selecter
10/01/1981 Spandau Ballet
17/01/1981 The Who
24/01/1981 Echo and the Bunnymen
31/01/1981 The Bureau
07/02/1981 Phil Collins
14/02/1981 Peter Gabriel
21/02/1981 The Stranglers
28/02/1981 Tiswas
07/03/1981 Gang Of Four
14/03/1981 Squeeze
21/03/1981 The Selecter
28/03/1981 Motorhead and Girlschool
04/04/1981 Adam and the Ants
11/04/1981 Linx
18/04/1981 Teardrop Explodes
25/04/1981 The Fabulous Thunderbirds
02/05/1981 Gary Numan
09/05/1981 Bruce Springsteen
16/05/1981
23/05/1981 The Jam
30/05/1981 Psychedelic Furs
06/06/1981 The Clash
13/06/1981 Tom Petty
20/06/1981 Squeeze
27/06/1981 Bob Dylan
04/07/1981 UB40
11/07/1981 Wah!
18/07/1981 Chic
25/07/1981 Bryan Ferry
01/08/1981 Talking Heads
08/08/1981 Motorhead
15/08/1981 Toyah
22/08/1981 Dexys Midnight Runners
29/08/1981 Was (Not Was)
05/09/1981 Rip Rig & Panic
12/09/1981 The Pretenders
19/09/1981 Ian Dury
26/09/1981 The Go-Gos
03/10/1981
10/10/1981 Madness
17/10/1981 The Police
24/10/1981 Linx
31/10/1981 Elvis Costello
07/11/1981 Orchestral Manoevures In The Dark
14/11/1981 Depeche Mode
21/11/1981 Blue Rondo A La Turk
28/11/1981 TV21
05/12/1981 The Teadrop Explodes
12/12/1981 Beggar & Co
19/12/1981 Christmas issue
02/01/1982 Graffiti art
09/01/1982 Altered Images
16/01/1982 Soft Cell
23/01/1982 Rick James
30/01/1982 UB40
06/02/1982 U2
13/02/1982 King Trigger
20/02/1982 Bananarama & Fun Boy Three
27/02/1982 Pigbag
06/03/1982 The Exploited, Chron-Gen, Anti-Nowhere League ('Kings Of The Wild Frontier: Punk Bites Back')
13/03/1982 The Jam
20/03/1982 Haircut 100
27/03/1982 Simple Minds
03/04/1982 Marine Girls
10/04/1982 BEF
17/04/1982 Spandau Ballet
24/04/1982 Blancmange and The Passage
01/05/1982 The Blasters
08/05/1982 Junior Giscombe
15/05/1982 Vice Squad
22/05/1982 Nick Rhodes
29/05/1982
05/06/1982 Blondie
12/06/1982 The Bluebells
19/06/1982 Attila The Stockbroker
26/06/1982 Saxon
03/07/1982 The Jam
10/07/1982 Captain Sensible
17/07/1982 Shalamar
24/07/1982 The Beat
31/07/1982 Dee Sharp
07/08/1982 Dexys Midnight Runners
14/08/1982 Siouxsie & The Banshees
21/08/1982 Killing Joke
28/08/1982 The Associates
04/09/1982 Sting
11/09/1982 Stiff Little Fingers
18/09/1982 ABC
25/09/1982 Yazoo
02/10/1982 Peter Gabriel
09/10/1982 The Psychedelic Furs
16/10/1982 Culture Club
23/10/1982 Dire Straits
30/10/1982 Bauhaus
06/11/1982 The Jam
13/11/1982 Duran Duran
20/11/1982 The Adicts
27/11/1982 Simple Minds
04/12/1982 Marc Almond and The The’s Matt Johnson
11/12/1982 Kirk Brandon
18/12/1982 Shalamar
01/01/1983 Fun Boy Three
08/01/1983 George Clinton
15/01/1983 Soft Cell
22/01/1983 Pete Wylie
29/01/1983 The Belle Stars
05/02/1983 Kajagoogoo
12/02/1983 Indeep
19/02/1983 Haysi Fantayzee
26/02/1983 Mari Wilson
05/03/1983 Southern Death Cult
12/03/1983 Nick Heyward
19/03/1983 Tears For Fears
26/03/1983 John Taylor of Duran Duran
02/04/1983 Bananarama
09/04/1983 Marillion
16/04/1983 Wall Of Voodoo
23/04/1983 JoBoxers
30/04/1983 Level 42
07/05/1983 Wham!
14/05/1983 Siouxsie & The Banshees
21/05/1983 Thompson Twins
28/05/1983 David Bowie
04/06/1983 Spandau Ballet
11/06/1983 Orange Juice
18/06/1983 Anti-Nowhere League
25/06/1983 Vince Clarke
02/07/1983 Nick Heyward
09/07/1983 Eurythmics
16/07/1983 Shalamar
23/07/1983 Duran Duran
30/07/1983 Echo and the Bunnymen
06/08/1983
13/08/1983 Paul Weller
20/08/1983 Carmel
27/08/1983 Marc Almond
03/09/1983 The Glove
10/09/1983 Kid Creole
17/09/1983 Special AKA
24/09/1983 Spandau Ballet
01/10/1983 Siouxsie Sioux
08/10/1983 Bauhaus
15/10/1983 King Kurt
22/10/1983 The Lotus Eaters
29/10/1983 Wham!
05/11/1983 Public Image Ltd
12/11/1983 Limahl
19/11/1983 Eurythmics
26/11/1983 The Smiths
03/12/1983 Culture Club
10/12/1983 Big Country
17/12/1983 Duran Duran
24/12/1983 Tracey Ullman
07/01/1984 Depeche Mode
14/01/1984 Thompson Twins
21/01/1984 Terry Hall
28/01/1984 The Alarm
04/02/1984 Howard Jones
11/02/1984 Simple Minds
18/02/1984 Sade
25/02/1984 Marilyn
03/03/1984 The Smiths
10/03/1984 Icicle Works
17/03/1984 Carmel
24/03/1984 Paul Weller
31/03/1984 Madness
07/04/1984 Duran Duran
14/04/1984 Dead Or Alive
21/04/1984 Big Country
28/04/1984 Echo & The Bunnymen
05/05/1984 Psychedelic Furs
12/05/1984 David Sylvian
19/05/1984 Lloyd Cole
26/05/1984 Cocteau Twins
02/06/1984 Swans Way
09/06/1984 Human League
(six weeks lost to strike action)
28/07/1984 Wham!
04/08/1984 The Kane Gang
11/08/1984 The Mighty Wah!
18/08/1984 The Armoury Show
25/08/1984 Malcolm McLaren
01/09/1984 Senate
08/09/1984 The Associates
15/09/1984 Bronski Beat
22/09/1984 Depeche Mode
29/09/1984 Echo & The Bunnymen
06/10/1984 Heaven 17
13/10/1984 Aztec Camera
20/10/1984 Big Country
27/10/1984 The Pogues
03/11/1984 The Smiths
10/11/1984 U2
17/11/1984 Wham!
24/11/1984 Duran Duran
01/12/1984 Frankie Goes To Hollywood
08/12/1984 Bob Geldof and Midge Ure
15/12/1984 Sade
22/12/1984 Frankies Say Christmas! (lots of photos of people called Frankie or similar)
05/01/1985 U2
12/01/1985 The Cult
19/01/1985 Jerry Dammers
26/01/1985 Strawberry Switchblade
02/02/1985 Del Amitri
09/02/1985 Chaka Khan
16/02/1985 Mick Jagger
23/02/1985 Big Sound Authority
02/03/1985 The Bangles
09/03/1985 Tears For Fears
16/03/1985 Morrissey
23/03/1985 Billy Bragg
30/03/1985 Go West
06/04/1985 Paul Young
13/04/1985 State Of The Union US rock special, Peter Buck sole on cover
20/04/1985 King
27/04/1985 Vince Clarke
04/05/1985 Eurythmics
11/05/1985 Tom Petty
18/05/1985 Propaganda
25/05/1985 Frankie Goes To Hollywood
01/06/1985 Bryan Ferry
08/06/1985 Bruce Springsteen
15/06/1985 REM
22/06/1985 Scritti Politti
29/06/1985 The Redskins
06/07/1985 The Men They Couldn’t Hang
13/07/1985 The Style Council
20/07/1985 Live Aid
27/07/1985 The Coward Brothers
03/08/1985 Johnny Marr
10/08/1985 Colourbox
17/08/1985 The Cure
24/08/1985 Sigue Sigue Sputnik
31/08/1985 Simply Red
07/09/1985 Neil Young
14/09/1985 Marc Almond
21/09/1985 Bronski Beat
28/09/1985 Madonna
05/10/1985 The Waterboys
12/10/1985 The Communards
19/10/1985 Tears For Fears
26/10/1985 The Cult
02/11/1985 Siouxsie & The Banshees
09/11/1985 Propaganda
16/11/1985 Cocteau Twins
23/11/1985 Jesus & Mary Chain
30/11/1985 Eighth Wonder
07/12/1985 King
14/12/1985 Echo & The Bunnymen
21/12/1985 ’85: The Year Of Giving Generously
04/01/1986 Sigue Sigue Sputnik
11/01/1986 New Order
18/01/1986 Raymonde
25/01/1986
01/02/1986 Win
08/02/1986 U2
15/02/1986 Marc Almond
22/02/1986 Pet Shop Boys
01/03/1986 Elvis Costello
08/03/1986 Chakk
15/03/1986 Ruefrex
22/03/1986 David Bowie
29/03/1986 Balaam & The Angel
05/04/1986 Fine Young Cannibals
12/04/1986 Big Country
19/04/1986 Siouxsie & The Banshees
26/04/1986 Big Audio Dynamite
03/05/1986 The Cocteau Twins
10/05/1986 Fuzzbox
17/05/1986 Pete Wylie
24/05/1986 Public Image Ltd
31/05/1986 Robert Smith and Stuart Adamson
07/06/1986 Sigue Sigue Sputnik
14/06/1986 Simple Minds
21/06/1986 The Waterboys
28/06/1986 Hollywood Beyond
05/07/1986 The Housemartins
12/07/1986 The Woodentops
19/07/1986 Real Roxanne, Lovebug Starski and Grandmaster Flash
26/07/1986 Sherone
02/08/1986 Edwyn Collins
09/08/1986 Frankie Goes To Hollywood
16/08/1986 Killing Joke
23/08/1986 Prince
30/08/1986 The Cure
06/09/1986 REM
13/09/1986 The Beastie Boys
20/09/1986 Cameo
27/09/1986 The Smiths
04/10/1986 New Order
11/10/1986 Human League
18/10/1986 Big Audio Dynamite
25/10/1986 The Mission
01/11/1986 Julian Cope
08/11/1986 Billy Idol
15/11/1986 Schooly-D
22/11/1986 Eurythmics
29/11/1986 Band Of Holy Joy
06/12/1986 Mantronix
13/12/1986 Jesus & Mary Chain
20/12/1986 Mick Jones and Pete Wylie
03/01/1987 The Housemartins
10/01/1987 Siouxsie Sioux
17/01/1987 The Christians
24/01/1987 The Cult
31/01/1987 Iggy Pop
07/02/1987 Big Audio Dynamite
14/02/1987 Luther Vandross
21/02/1987 Dead Or Alive, The Communards
28/02/1987 Stump
07/03/1987 Simply Red
14/03/1987 U2
21/03/1987 Beastie Boys
28/03/1987 Throwing Muses
04/04/1987 The Mission
11/04/1987 The Cure
18/04/1987 Pop Tarts
25/04/1987 Jesus & Mary Chain
02/05/1987 The Proclaimers
09/05/1987
16/05/1987 The Replacements
23/05/1987 Run DMC
30/05/1987 The Cure
06/06/1987 Echo & The Bunnymen
13/06/1987
20/06/1987 The Young Gods
27/06/1987 Prince
04/07/1987 The Cocteau Twins, Throwing Muses, Colourbox, Dead Can Dance, This Mortal Coil
11/07/1987 Swans
18/07/1987 Loop
25/07/1987 AR Kane
01/08/1987 Terence Trent d'Arby
08/08/1987 Public Image Ltd
15/08/1987 The Primitives
22/08/1987 Tom Waits
29/08/1987 The Mission
05/09/1987 Sisters Of Mercy
12/09/1987 REM
19/09/1987 Jesus & Mary Chain
26/09/1987 Morrissey
03/10/1987
10/10/1987 Ian McCulloch and Bernard Sumner
17/10/1987 Gaye Bykers On Acid
24/10/1987 The Sugarcubes
31/10/1987 Ben Elton
07/11/1987 10,000 Maniacs
14/11/1987
21/11/1987 All About Eve
28/11/1987 Public Enemy
05/12/1987 The Cure
12/12/1987 Sinead O’Connor
19/12/1987 U2
02/01/1988 The Sugarcubes
09/01/1988 World Domination Enterprises
16/01/1988 Fields Of The Nephilim
23/01/1988 Nick Cave
30/01/1988 The Primitives
06/02/1988 Faith No More
13/02/1988 Sonic Youth
20/02/1988 All About Eve
27/02/1988 The Mission
05/03/1988 The Fall
12/03/1988 Morrissey
19/03/1988 Pixies
26/03/1988 Jesus & Mary Chain
02/04/1988 Butthole Surfers
09/04/1988 Kevin Rowland
16/04/1988 The Sugarcubes
23/04/1988 10,000 Maniacs
30/04/1988 AR Kane
07/05/1988 Megadeth
14/05/1988 Swans
21/05/1988 Skinny Puppy
28/05/1988 Public Enemy
04/06/1988 Sinead O’Connor
11/06/1988 The Hothouse Flowers
18/06/1988 Nick Cave
25/06/1988 Darling Buds
02/07/1988 Green On Red
09/07/1988 Siouxsie Sioux
16/07/1988 Tracy Chapman
23/07/1988 Prince
30/07/1988 House Of Love
06/08/1988 Patti Smith
13/08/1988 Pixies
20/08/1988 The Young Gods
27/08/1988 Fields Of The Nephilim
03/09/1988 Front 242
10/09/1988 The Wonder Stuff
17/09/1988 Cocteau Twins
24/09/1988 Darling Buds
01/10/1988 Butthole Surfers
08/10/1988 Thin White Rope
15/10/1988 My Bloody Valentine
22/10/1988 U2
29/10/1988 REM
05/11/1988 All About Eve
12/11/1988 Loop
19/11/1988 Spacemen 3
26/11/1988 Yello
03/12/1988 New Order
10/12/1988 The Pogues
17/12/1988 The Primitives
24/12/1988 The Sugarcubes
07/01/1989 The Mission
14/01/1989 The Sundays
21/01/1989 Jane’s Addiction
28/01/1989 Throwing Muses
04/02/1989 Holly Johnson
11/02/1989 Lou Reed
18/02/1989 Darling Buds
25/02/1989 The Wonder Stuff
04/03/1989 Michelle Shocked
11/03/1989 Tanita Tikaram
18/03/1989 The Cult
25/03/1989 Cowboy Junkies
01/04/1989 Pixies
08/04/1989 Simple Minds
15/04/1989 House Of Love
22/04/1989 Swans
29/04/1989 The Cure
06/05/1989 Robert Smith and J Mascis
13/05/1989 Elvis Costello
20/05/1989 Fields Of The Nephilim
27/05/1989 REM
03/06/1989 The Stone Roses
10/06/1989 Bobby Brown
17/06/1989 Pixies
24/06/1989 Transvision Vamp
01/07/1989 David Bowie
08/07/1989 The Primitives
15/07/1989 The Cure
22/07/1989 Simple Minds
29/07/1989 Big Audio Dynamite
05/08/1989 The Beastie Boys
12/08/1989 Wolfsbane
19/08/1989 Tears For Fears
26/08/1989 The Mission
02/09/1989 The Sugarcubes
09/09/1989 Jesus & Mary Chain
16/09/1989 All About Eve
23/09/1989 INXS
30/09/1989 Ian McCulloch
07/10/1989 The Creatures
14/10/1989 The Wedding Present
21/10/1989 Kate Bush
28/10/1989 House Of Love
04/11/1989 NWA
11/11/1989 Thurston Moore, J Mascis, Gibby Haynes
18/11/1989 Aerosmith
25/11/1989 The Cult
02/12/1989 Happy Mondays
09/12/1989 The Stone Roses
16/12/1989 Soul II Soul
23/12/1989 The Mission
06/01/1990 Sisters Of Mercy
13/01/1990 Birdland
20/01/1990 The Sundays
27/01/1990 The Beloved
03/02/1990 Bob Dylan
10/02/1990 Marc Almond
17/02/1990 Lush
24/02/1990 Cowboy Junkies
03/03/1990 House Of Love
10/03/1990 Depeche Mode
17/03/1990 Nick Cave
24/03/1990 David Bowie
31/03/1990 Happy Mondays
07/04/1990 B-52s
14/04/1990 Inspiral Carpets
21/04/1990 Adamski
28/04/1990 Lou Reed
05/05/1990 Hothouse Flowers
12/05/1990 Revenge
19/05/1990 Flowered Up
26/05/1990 The Breeders
02/06/1990 The Mission
09/06/1990 Aztec Camera
16/06/1990 Soul II Soul
23/06/1990 The Cure
30/06/1990 808 State
07/07/1990 The Heart Throbs
14/07/1990 The Wedding Present
21/07/1990 Soup Dragons
28/07/1990 Cranes
04/08/1990 Billy Idol
11/08/1990 Pixies
18/08/1990 Jesus & Mary Chain
25/08/1990 Cocteau Twins
01/09/1990 INXS
08/09/1990 Sinead O’Connor
15/09/1990 Neneh Cherry
22/09/1990 Ride
29/09/1990 The Beautiful South
06/10/1990 Sisters Of Mercy
13/10/1990 The Charlatans
20/10/1990 The Mission
27/10/1990 Paul Gascoigne
03/11/1990 Deee-Lite
10/11/1990 Happy Mondays
17/11/1990 The La’s
24/11/1990 The Farm
01/12/1990 Pet Shop Boys
08/12/1990 James
15/12/1990 Lush
22/12/1990 Shaun Ryder and Bernard Sumner
05/01/1991 Ride
12/01/1991 The Cocteau Twins
19/01/1991 Seal
26/01/1991 The Cure
02/02/1991 Dream Warriors
09/02/1991 808 State
16/02/1991 The KLF
23/02/1991 Jane’s Addiction
02/03/1991 REM
09/03/1991 The Charlatans
16/03/1991 Ride
23/03/1991 Ocean Colour Scene, Chapterhouse
30/03/1991 Transvision Vamp
06/04/1991 Blur
13/04/1991 Electronic
20/04/1991 The Shamen
27/04/1991 Inspiral Carpets
04/05/1991 Curve
11/05/1991 Siouxsie & The Banshees
18/05/1991 The Waterboys
25/05/1991 The Wedding Present
01/06/1991 Primal Scream
08/06/1991 Pixies
15/06/1991 Carter USM
22/06/1991 The Cure
29/06/1991 Sinead O’Connor
06/07/1991 The Wonder Stuff
13/07/1991 Jesus Jones
20/07/1991 Manic Street Preachers
27/07/1991 EMF
03/08/1991 Guns’n’Roses
10/08/1991 The Shamen
17/08/1991 Perry Farrell and Ice-T
24/08/1991 Blur
31/08/1991 Metallica
07/09/1991 The Senseless Things
14/09/1991 Electronic
21/09/1991 The Black Crowes
28/09/1991 Happy Mondays
05/10/1991 Lush
12/10/1991 Carter USM
19/10/1991 Teenage Fanclub
26/10/1991 Curve
02/11/1991 Nirvana
09/11/1991 James
16/11/1991 The Wonder Stuff
23/11/1991 The Cult
30/11/1991 Neil Young
07/12/1991 Jesus Jones
14/12/1991 Ned’s Atomic Dustbin
21/12/1991 REM
04/01/1992 Nirvana
11/01/1992 The Wedding Present
18/01/1992 Primal Scream
25/01/1992 Daisy Chainsaw
01/02/1992 The Wonder Stuff
08/02/1992 Thousand Yard Stare
15/02/1992 Teenage Fanclub
22/02/1992 Pearl Jam
29/02/1992 Ride
07/03/1992 The Cure
14/03/1992 Curve
21/03/1992 Jesus & Mary Chain
28/03/1992 Mercury Rev
04/04/1992 James
11/04/1992 The Mission
18/04/1992 The Black Crowes
25/04/1992 Suede
02/05/1992 Metallica
09/05/1992 Carter USM
16/05/1992 L7
23/05/1992 Faith No More
30/05/1992 Guns’n’Roses
06/06/1992 Soundgarden
13/06/1992 Verve
20/06/1992 Pearl Jam
27/06/1992 Whose Land Is It Anyway? travellers special
04/07/1992 The Levellers
11/07/1992 The Shamen
18/07/1992 Nirvana
25/07/1992 Ministry
01/08/1992 The Orb
08/08/1992 Faith No More
15/08/1992 Therapy?
22/08/1992 Mudhoney
29/08/1992 Suede
05/09/1992 The Cure
12/09/1992 Reading Festival special
19/09/1992 Babes In Toyland
26/09/1992 REM
03/10/1992 The Shamen
10/10/1992 Riot Grrrls!
17/10/1992 Throwing Muses
24/10/1992 Gallon Drunk
31/10/1992 Mega City Four
07/11/1992 Sonic Youth
14/11/1992 Disposable Heroes Of Hiphoprisy
21/11/1992 The Black Crowes
28/11/1992 Faith No More
05/12/1992 Nine Inch Nails
12/12/1992 Suede
19/12/1992 Nirvana
02/01/1993 Suede
09/01/1993 Sugar
16/01/1993 Dinosaur Jr
23/01/1993 Henry Rollins
30/01/1993 Suede, Stereo MCs, Belly, Therapy?, Ride
06/02/1993 Stereo MCs
13/02/1993 The Lemonheads
20/02/1993 The Auteurs
27/02/1993 Huggy Bear
06/03/1993 Belly
13/03/1993 Back To The Planet, Orbital, Ozric Tentacles
20/03/1993 Pavement
27/03/1993 The Orb and Dave Gilmour
03/04/1993 Depeche Mode
10/04/1993 The Frank And Walters
17/04/1993 Suede
24/04/1993 Perry Farrell
01/05/1993 Ozric Tentacles
08/05/1993 New Order
15/05/1993 Bjork
22/05/1993 Therapy?
29/05/1993 Manic Street Preachers
05/06/1993 The Waterboys
12/06/1993 Kingmaker
19/06/1993 Suede
26/06/1993 Stereo MCs
03/07/1993 Smashing Pumpkins
10/07/1993 PJ Harvey
17/07/1993 Faith No More
24/07/1993 'The 13 Year Itch - Lush, Throwing Muses and Red House Painters Celebrate 4AD’s 13th Birthday'
31/07/1993 U2
07/08/1993 'Bonfire Of The Vanities - The Levellers Torch The Music Press'
14/08/1993 James
21/08/1993 Nirvana
28/08/1993 New Order, Porno For Pyros, The The
04/09/1993 Shaun Ryder
11/09/1993 Cocteau Twins
18/09/1993 Afghan Whigs
25/09/1993 Blur
02/10/1993 REM
09/10/1993 Pearl Jam
16/10/1993 Spin Doctors
23/10/1993 Radiohead
30/10/1993 The Breeders
06/11/1993 Grant Lee Buffalo
13/11/1993 Evan Dando and Juliana Hatfield
20/11/1993 Bono and Frank Sinatra
27/11/1993 Pet Shop Boys
04/12/1993 The Jesus Lizard
11/12/1993 Saint Etienne and Tim Burgess
18/12/1993 Megadog
25/12/1993 Kurt Cobain and Kim Deal
08/01/1994 Poll results
15/01/1994 Kristin Hersh
22/01/1994 Underworld
29/01/1994 Manic Street Preachers
05/02/1994 Snoop Doggy Dogg
12/02/1994 Pavement
19/02/1994 Courtney Love
26/02/1994 Credit To The Nation
05/03/1994 Senser
12/03/1994 Kurt Cobain
19/03/1994 Soundgarden
26/03/1994 Soul Asylum
02/04/1994 Henry Rollins
09/04/1994 Erasure
16/04/1994 Kurt Cobain
23/04/1994 Kurt and Courtney
30/04/1994 Pearl Jam
07/05/1994 Blur
14/05/1994 2 Unlimited
21/05/1994 Pearl Jam
28/05/1994 S*M*A*S*H
04/06/1994 Pulp
11/06/1994 Therapy? and Henry Rollins
18/06/1994 Echobelly
25/06/1994 Smashing Pumpkins
02/07/1994 Glastonbury
09/07/1994 Transglobal Underground
16/07/1994 Phoenix 1994 - Pop Will Eat Itself, Carter USM, Fun-Da-Mental
23/07/1994 Jesus & Mary Chain
30/07/1994 Suede
06/08/1994 Oasis
13/08/1994 Soundgarden
20/08/1994 Dinosaur Jr
27/08/1994 Cypress Hill, Evan Dando
03/09/1994 Courtney Love
10/09/1994 Shed Seven
17/09/1994 S*M*A*S*H
24/09/1994 Suede
01/10/1994 Shampoo
08/10/1994 Elastica
15/10/1994 Echobelly
22/10/1994 'Beat Fighting Men': Primal Scream, The Drum Club, Fun-Da-Mental
29/10/1994 Nirvana
05/11/1994 Gene
12/11/1994 REM
19/11/1994 The New Mod Generation
26/11/1994 Warren G and Snoop Doggy Dogg
03/12/1994 Richey Edwards
10/12/1994 The Cranberries
17/12/1994 The Stone Roses
24/12/1994 '1994 - Britpop’s Brilliant Face Lift': Liam Gallagher, Damon Albarn, Brett Anderson, Jarvis Cocker, Justine Frischmann
07/01/1995 Veruca Salt
14/01/1995 Sleeper
21/01/1995 Portishead
28/01/1995 REM
04/02/1995 Menswear
11/02/1995 Supergrass
18/02/1995 Boo Radleys
25/02/1995 Gene
04/03/1995 The Beastie Boys
11/03/1995 Radiohead
18/03/1995 Tindersticks
25/03/1995 Elastica
01/04/1995 The Prodigy
08/04/1995 Kurt Cobain and Richey Edwards
15/04/1995 Offspring
22/04/1995 Oasis
29/04/1995 Marion
06/05/1995 Boo Radleys
13/05/1995 Black Grape
20/05/1995 Supergrass
27/05/1995 Pulp
03/06/1995 McAlmont & Butler
10/06/1995 Supergrass, Elastica, Gene, S*M*A*S*H
17/06/1995 Menswear
24/06/1995 Bjork
01/07/1995 Glastonbury - Oasis
08/07/1995 Gene
15/07/1995 Phoenix - The Verve, Public Enemy, The Wildhearts
22/07/1995 Britpop
29/07/1995 Pulp
05/08/1995 Goldie
12/08/1995 Blur
19/08/1995 Skunk Anansie
26/08/1995 Soundgarden
02/09/1995 Foo Fighters
09/09/1995 Warchild
16/09/1995 The Charlatans
23/09/1995 The Bluetones
30/09/1995 Echobelly
07/10/1995 The Amps
14/10/1995 Menswear
21/10/1995 Cast
28/10/1995 Radiohead
04/11/1995 Pulp
11/11/1995 Oasis
18/11/1995 Foo Fighters
25/11/1995 Romo - Orlando, Plastic Fantastic, Sexus, Dexdexter
02/12/1995 Garbage
09/12/1995 Blur vs Oasis
16/12/1995 Green Day
23/12/1995 Pulp
06/01/1996 Mike Flowers Pops
13/01/1996 Manic Street Preachers
20/01/1996 The Chemical Brothers
27/01/1996 Northern Uproar
03/02/1996 Sex Pistols
10/02/1996 The Bluetones
17/02/1996 Edwyn Collins
24/02/1996 Supergrass
02/03/1996 Jarvis Cocker
09/03/1996 Blur
16/03/1996 Cast
23/03/1996 Oasis
30/03/1996 Pulp
06/04/1996 Foo Fighters
13/04/1996 Sleeper
20/04/1996 Ash
27/04/1996 70th Anniversary Special - Oasis
04/05/1996 Tricky
11/05/1996 Super Furry Animals
18/05/1996 The Bluetones
25/05/1996 Soundgarden
01/06/1996 Manic Street Preachers
08/06/1996 Garbage
15/06/1996 Primal Scream
22/06/1996 Divine Comedy
29/06/1996 60ft Dolls
06/07/1996 Terrorvision
13/07/1996 Super Furry Animals
20/07/1996 The Prodigy
27/07/1996 Cast
03/08/1996 Boo Radleys
10/08/1996 Oasis
17/08/1996 Oasis
24/08/1996 Ash
31/08/1996 The Stone Roses
07/09/1996 The Charlatans
14/09/1996 Placebo
21/09/1996 Oasis
28/09/1996 Super Furry Animals, Heavy Stereo, 3 Colours Red
05/10/1996 Babybird
12/10/1996 Metallica
19/10/1996 Cast
26/10/1996 DJ Shadow
02/11/1996 Dodgy
09/11/1996 Skunk Anansie
16/11/1996 Beck
23/11/1996 Mansun
30/11/1996 Babybird and Eddie Izzard
07/12/1996 Space
14/12/1996 Bjork
21/12/1996 Starspotting
04/01/1997 Manic Street Preachers
11/01/1997 Kenickie
18/01/1997 Suede
25/01/1997 Kula Shaker
01/02/1997 Blur
08/02/1997 Placebo
15/02/1997 Pavement
22/02/1997 U2
01/03/1997 Mansun
08/03/1997 Mark Radcliffe
15/03/1997 Eels
22/03/1997 Gorky’s Zygotic Mynci
29/03/1997 Symposium
05/04/1997 The Chemical Brothers
12/04/1997 Manic Street Preachers
19/04/1997 Supergrass
26/04/1997 Foo Fighters
03/05/1997 Kenickie
10/05/1997 Super Furry Animals
17/05/1997 Gillian Anderson
24/05/1997 Radiohead
31/05/1997 Mad For It! festival special
07/06/1997 Symposium
14/06/1997 Cast
21/06/1997 Blur
28/06/1997 Oasis
05/07/1997 Glastonbury
12/07/1997 Embrace
19/07/1997 The Charlatans
26/07/1997 Echo and the Bunnymen
02/08/1997 Reef
09/08/1997 Morrissey
16/08/1997 Melanie C
23/08/1997 Suede
30/08/1997 Manic Street Preachers
06/09/1997 Republica
13/09/1997 No Doubt
20/09/1997 Oasis
27/09/1997 Sleeper
04/10/1997 Oasis
11/10/1997 The Verve
18/10/1997 Zoe Ball
25/10/1997 Bush
01/11/1997 Black Grape
08/11/1997 Kylie Minogue
15/11/1997 Spice Girls
22/11/1997 Radiohead
29/11/1997 Lara Croft
06/12/1997 The Seahorses
13/12/1997 Travis
20/12/1997 The Fast Show
03/01/1998 Readers Poll - Radiohead, The Verve
10/01/1998 Lo-Fidelity Allstars
17/01/1998 The Verve
24/01/1998 Catatonia
31/01/1998 Richey Edwards
07/02/1998 All Saints
14/02/1998 Stereophonics
21/02/1998 Shaun Ryder
28/02/1998 Shed Seven
07/03/1998 Oasis
14/03/1998 Natalie Imbruglia
21/03/1998 The Bluetones
28/03/1998 Kylie Minogue
04/04/1998 Divine Comedy
11/04/1998 Spice Girls
18/04/1998 '50 Rock’n’Roll Things You Must Do By The Year 2000'
25/04/1998 Kula Shaker
02/05/1998 All Saints
09/05/1998 Creamfields
16/05/1998 Garbage
23/05/1998 The Verve
30/05/1998 Kenickie
06/06/1998 Ian Brown
13/06/1998 World Cup - Tommy Scott
20/06/1998 Embrace
27/06/1998 Festival Guide - Jarvis Cocker
04/07/1998 Glastonbury 98
11/07/1998 Robbie Williams
18/07/1998 Wanted - Have You Seen These Bands?
25/07/1998 Theaudience
01/08/1998 Dandy Warhols
08/08/1998 The Verve
15/08/1998 Bratpop
22/08/1998 V98 preview - Texas
29/08/1998 Reading - The Beastie Boys
05/09/1998 Reading 98
12/09/1998 Ash
19/09/1998 Manic Street Preachers
26/09/1998 Republica
03/10/1998 Fun Lovin’ Criminals
10/10/1998 The Cardigans
17/10/1998 Idlewild
24/10/1998 Catatonia
31/10/1998 Placebo
07/11/1998 The Stereophonics
14/11/1998 Metallica
21/11/1998 Pulp
28/11/1998 Ash
05/12/1998 Chris Moyles
12/12/1998 Belle & Sebastian
19/12/1998 Cerys Matthews
02/01/1999 Readers Poll - Manic Street Preachers
09/01/1999 The Young Person’s Guide To ‘99
16/01/1999 Garbage
23/01/1999 Mansun
30/01/1999 The Offspring
06/02/1999 Fatboy Slim
13/02/1999 The Stereophonics
20/02/1999 Gay Dad
27/02/1999 The Cardigans
06/03/1999 Robbie Williams
13/03/1999 Skunk Anansie
20/03/1999 Catatonia
27/03/1999 'The 50 Maddest People In Rock' - Dolores O’Riordan
03/04/1999 Suede
10/04/1999 All Saints
17/04/1999 The Offspring
24/04/1999 Fun Lovin’ Criminals
01/05/1999 Ali G
08/05/1999 3 Colours Red
15/05/1999 Korn
22/05/1999 Nina Persson and Debbie Harry
29/05/1999 Catatonia
05/06/1999 Homelands festival
12/06/1999 The Coolest People In Rock
19/06/1999 Suede
26/06/1999 Uri Geller
03/07/1999 Glastonbury
10/07/1999 'Everyone! Outside! Now!' - Metallica, Stereophonics, Blur, Marilyn Manson, Placebo
17/07/1999 Manic Street Preachers
24/07/1999 A
31/07/1999 Stereophonics
07/08/1999 Divine Comedy
14/08/1999 Feeder
21/08/1999 V99 - Supergrass
28/08/1999 Mansun
04/09/1999 Reading & Leeds - Blur
11/09/1999 TLC
18/09/1999 Idlewild
25/09/1999 Manic Street Preachers
02/10/1999 Travis
09/10/1999 Limp Bizkit
16/10/1999 Net Aid - Robbie Williams
23/10/1999 Foo Fighters
27/10/1999 Kelly Jones and Cerys Matthews
03/11/1999 Manic Street Preachers
10/11/1999 Huey Morgan and Shirley Manson
17/11/1999 The Cardigans
24/11/1999 'Drugs Nation'
01/12/1999 Supergrass
08/12/1999 Oasis
15/12/1999 Travis
22/12/1999 Stereophonics
05/01/2000 Feeder
12/01/2000 Readers Poll - Nicky Wire, Fran Healy
19/01/2000 Oasis
26/01/2000 Embrace
02/02/2000 Korn
09/02/2000 Red Hot Chili Peppers
16/02/2000 Travis
23/02/2000 Muse
01/03/2000 Kelly Jones and Tom Jones
08/03/2000 Blink 182
15/03/2000 Ocean Colour Scene
22/03/2000 Kurt Cobain - 'The Excess Files'
29/03/2000 Radiohead
05/04/2000 Travis
12/04/2000 The Bloodhound Gang
19/04/2000 Elastica
26/04/2000 Vic & Bob, Nina Persson
03/05/2000 Sex Pistols
10/05/2000 Embrace
17/05/2000 'Are The Charts Going Down The Toilet?'
24/05/2000 Festivals
31/05/2000 Oasis
07/06/2000 Toploader
14/06/2000 The Coolest People In Rock 2000 - Nicky Wire, Cerys Matthews, Fran Healy, Kurt Cobain
21/06/2000 Radiohead
28/06/2000 Glastonbury - Travis
05/07/2000 Kittie
12/07/2000 Oasis
19/07/2000 ’High Fidelity Allstars’
26/07/2000 Mansun
02/08/2000 Green Day
09/08/2000 Slipknot
16/08/2000 V2000
23/08/2000 Reading & Leeds
30/08/2000 Reading & Leeds - Fred Durst
06/09/2000 Radiohead
13/09/2000 The Dum Dums
20/09/2000 No Doubt
27/09/2000 JJ72
04/10/2000 Fred Durst, Marilyn Manson, Eminem and Corey Taylor of Slipknot - 'Why America Rules Rock Right Now'
11/10/2000 'The Alternative Nation Fights Back'
18/10/2000 King Adora
25/10/2000 Eminem and Fred Durst
01/11/2000 The Offspring
08/11/2000 Smashing Pumpkins
15/11/2000 Eminem
22/11/2000 'Guns’n’Poses - The Shocking Inside Story Of Rock’s Fatal Fascination With Firearms'
29/11/2000 Queens Of The Stone Age
06/12/2000 Billy Corgan
13/12/2000 Feeder
20/12/2000 Limp Bizkit
Saturday, January 04, 2014
Wednesday, January 01, 2014
UK Blogger Albums Of 2013 Poll Results
Truth be told, we didn't think there'd be a blog poll this year. Partly because this place was out of commission by choice for a while, but also the number of blogs closing down without notice, just disappearing and leaving a regular last post hanging, is notable. Those that are left are meanwhile becoming ever more widespread and eclectic in trying to find a new way out of the blog cliche morass, which for the curious is of course a good thing more often than not, or at least so in theory, but for something like this list which by its nature thrives on concensus, less so.
Regardless, for the ninth time here's the poll of polls, this year chiefly featuring 17 Seconds, The Album Wall, Alphabet Bands, Both Bars On, Bowlegs, Breaking More Waves, Crack In The Road, Dots & Dashes, Drunken Werewolf, Just Music That I Like, Just Played, Keep Pop Loud, Last Year's Girl, The Mad Mackerel, Manic Pop Thrills, The Metaphorical Boat, the already deceased Mudkiss, Music Liberation, The Pop Cop, Ragged Glories, Song By Toad, There Goes The Fear and The Von Pip Musical Express. This is what the cognescenti claimed credits 2013:
50 ANNA CALVI - One Breath
49 SUEDE - Bloodsports
48 OKKERVIL RIVER - The Silver Gymnasium
47 BLUE HAWAII - Untogether
46 JAMES BLAKE - Overgrown
45 FOREST SWORDS - Engravings
44 GEORGIA RUTH - Week Of Pines
43 DUTCH UNCLES - Out of Touch In The Wild
42 VALERIE JUNE - Pushin' Against A Stone
41 VOLCANO CHOIR - Repave
40 ELEANOR FRIEDBERGER - Personal Record
39 DAVID BOWIE - The Next Day
38 KURT VILE - Wakin' On A Pretty Daze
37 TORRES - Torres
36 THE SUPERMAN REVENGE SQUAD BAND - There Is Nothing More Frightening Than The Passing Of Time
35 LOW - The Invisible Way
34 MAJICAL CLOUDZ - Impersonator
33 ADAM STAFFORD - Imaginary Walls Collapse
32 HOOKWORMS - Pearl Mystic
31 THESE NEW PURITANS - Field Of Reeds
30 TEGAN & SARA - Heartthrob
29 DARKSIDE - Psychic
28 KANYE WEST - Yeezus
27 SIGUR ROS - Kveikur
26 CAITLIN ROSE - The Stand-In
25 PARQUET COURTS - Light Up Gold
24 FOALS - Holy Fire
23 FACTORY FLOOR - Factory Floor
22 JANELLE MONAE - The Electric Lady
21 WAXAHATCHEE - Cerulean Salt
20 JULIA HOLTER - Loud City Song
19 FUCK BUTTONS - Slow Focus
18 DAUGHTER - If You Leave
17 SPEEDY ORTIZ - Major Arcana
16 BILL CALLAHAN - Dream River
15 JOHN GRANT - Pale Green Ghosts
14 PUBLIC SERVICE BROADCASTING - Inform-Educate-Entertain
13 PHOSPHORESCENT - Muchacho
12 DAFT PUNK - Random Access Memories
11 LOS CAMPESINOS! - No Blues
10 CHVRCHES - The Bones Of What You Believe
9 MY BLOODY VALENTINE - m b v
8 SAVAGES - Silence Yourself
7 VAMPIRE WEEKEND - Modern Vampires of the City
6 JON HOPKINS - Immunity
5 LAURA MARLING - Once I Was An Eagle
4 ARCADE FIRE - Reflektor
3 THE NATIONAL - Trouble Will Find Me
2 ARCTIC MONKEYS - AM
1 NICK CAVE AND THE BAD SEEDS - Push The Sky Away
Regardless, for the ninth time here's the poll of polls, this year chiefly featuring 17 Seconds, The Album Wall, Alphabet Bands, Both Bars On, Bowlegs, Breaking More Waves, Crack In The Road, Dots & Dashes, Drunken Werewolf, Just Music That I Like, Just Played, Keep Pop Loud, Last Year's Girl, The Mad Mackerel, Manic Pop Thrills, The Metaphorical Boat, the already deceased Mudkiss, Music Liberation, The Pop Cop, Ragged Glories, Song By Toad, There Goes The Fear and The Von Pip Musical Express. This is what the cognescenti claimed credits 2013:
50 ANNA CALVI - One Breath
49 SUEDE - Bloodsports
48 OKKERVIL RIVER - The Silver Gymnasium
47 BLUE HAWAII - Untogether
46 JAMES BLAKE - Overgrown
45 FOREST SWORDS - Engravings
44 GEORGIA RUTH - Week Of Pines
43 DUTCH UNCLES - Out of Touch In The Wild
42 VALERIE JUNE - Pushin' Against A Stone
41 VOLCANO CHOIR - Repave
40 ELEANOR FRIEDBERGER - Personal Record
39 DAVID BOWIE - The Next Day
38 KURT VILE - Wakin' On A Pretty Daze
37 TORRES - Torres
36 THE SUPERMAN REVENGE SQUAD BAND - There Is Nothing More Frightening Than The Passing Of Time
35 LOW - The Invisible Way
34 MAJICAL CLOUDZ - Impersonator
33 ADAM STAFFORD - Imaginary Walls Collapse
32 HOOKWORMS - Pearl Mystic
31 THESE NEW PURITANS - Field Of Reeds
30 TEGAN & SARA - Heartthrob
29 DARKSIDE - Psychic
28 KANYE WEST - Yeezus
27 SIGUR ROS - Kveikur
26 CAITLIN ROSE - The Stand-In
25 PARQUET COURTS - Light Up Gold
24 FOALS - Holy Fire
23 FACTORY FLOOR - Factory Floor
22 JANELLE MONAE - The Electric Lady
21 WAXAHATCHEE - Cerulean Salt
20 JULIA HOLTER - Loud City Song
19 FUCK BUTTONS - Slow Focus
18 DAUGHTER - If You Leave
17 SPEEDY ORTIZ - Major Arcana
16 BILL CALLAHAN - Dream River
15 JOHN GRANT - Pale Green Ghosts
14 PUBLIC SERVICE BROADCASTING - Inform-Educate-Entertain
13 PHOSPHORESCENT - Muchacho
12 DAFT PUNK - Random Access Memories
11 LOS CAMPESINOS! - No Blues
10 CHVRCHES - The Bones Of What You Believe
9 MY BLOODY VALENTINE - m b v
8 SAVAGES - Silence Yourself
7 VAMPIRE WEEKEND - Modern Vampires of the City
6 JON HOPKINS - Immunity
5 LAURA MARLING - Once I Was An Eagle
4 ARCADE FIRE - Reflektor
3 THE NATIONAL - Trouble Will Find Me
2 ARCTIC MONKEYS - AM
1 NICK CAVE AND THE BAD SEEDS - Push The Sky Away
Tuesday, December 31, 2013
2014: the album checklist
Albums there are dates for
Stephen Malkmus and the Jicks - Wigout At Jagbags (6th January)
Broken Bells – After The Disco (13th January)
East India Youth - Total Strife Forever (13th January)
I Break Horses - Chiaroscuro (20th January)
Mogwai - Rave Tapes (20th January)
Warpaint - Warpaint (20th January)
The Hidden Cameras - Age (27th January)
Peggy Sue - Choir Of Echoes (27th January)
Maximo Park - Too Much Information (3rd February)
Cheatahs - Cheatahs (10th February)
Fanfarlo - Let's Go Extinct (10th February)
Let's Wrestle - Let's Wrestle (10th February)
Mowbird - Islander (10th February)
We Three And The Death Rattle - W.T.A.T.D.R (10th February)
Guided By Voices - Motivational Jumpsuit (17th February)
St Vincent - St Vincent (24th February)
The Voluntary Butler Scheme - A Million Ways To Make Gold (24th February)
Withered Hand - New Gods (24th February)
Blood Red Shoes - Blood Red Shoes (3rd March)
Stanley Brinks and The Wave Pictures - Gin (3rd March)
Elbow - All At Once (title TBC) (10th March)
Joan As Police Woman - The Classic (10th March)
Jimi Goodwin - Odludek (24th March)
Those that only STN cares about
Ace Bushy Striptease
The Acorn
Adebisi Shank
Allo Darlin' - We Come From The Same Place
Archie Bronson Outfit
Beth Jeans Houghton
Emmy The Great
Evans The Death
Fashoda Crisis
Fear Of Men
Her Name Is Calla - Navigator
Holy Fuck
Johnny Foreigner
Let's Buy Happiness
Maybeshewill
Napoleon IIIrd
Rose Elinor Dougall
Still Corners
Three Trapped Tigers
Tigercats
Others
Amber Coffman/Nat Baldwin (Dirty Projectors solo projects)
The Avalanches (yeah, right)
Bat For Lashes
Beck - Morning Phase (and possibly a second album)
Belle And Sebastian
Blonde Redhead
Caribou
Cat Power
Damon Albarn
Fleet Foxes
Gnarls Barkley
Grimes
Hamilton Leithauser (Walkmen frontman goes solo)
The Hold Steady
The Horrors
Interpol
Liars
Lykke Li
Manic Street Preachers - Futurology
Mew
Modest Mouse
The New Pornographers
Other Lives
Owen Pallett - In Conflict
The Pains Of Being Pure At Heart
Parquet Courts
Perfume Genius
Pulled Apart By Horses
The Rentals
School Of Language
Shearwater
Sisyphus (Sufjan Stevens, Son Lux and Serengeti)
Slow Club
Spoon
tUnE-YarDs
TV On The Radio
Wild Beasts
The Wrens (OK...)
Stephen Malkmus and the Jicks - Wigout At Jagbags (6th January)
Broken Bells – After The Disco (13th January)
East India Youth - Total Strife Forever (13th January)
I Break Horses - Chiaroscuro (20th January)
Mogwai - Rave Tapes (20th January)
Warpaint - Warpaint (20th January)
The Hidden Cameras - Age (27th January)
Peggy Sue - Choir Of Echoes (27th January)
Maximo Park - Too Much Information (3rd February)
Cheatahs - Cheatahs (10th February)
Fanfarlo - Let's Go Extinct (10th February)
Let's Wrestle - Let's Wrestle (10th February)
Mowbird - Islander (10th February)
We Three And The Death Rattle - W.T.A.T.D.R (10th February)
Guided By Voices - Motivational Jumpsuit (17th February)
St Vincent - St Vincent (24th February)
The Voluntary Butler Scheme - A Million Ways To Make Gold (24th February)
Withered Hand - New Gods (24th February)
Blood Red Shoes - Blood Red Shoes (3rd March)
Stanley Brinks and The Wave Pictures - Gin (3rd March)
Elbow - All At Once (title TBC) (10th March)
Joan As Police Woman - The Classic (10th March)
Jimi Goodwin - Odludek (24th March)
Those that only STN cares about
Ace Bushy Striptease
The Acorn
Adebisi Shank
Allo Darlin' - We Come From The Same Place
Archie Bronson Outfit
Beth Jeans Houghton
Emmy The Great
Evans The Death
Fashoda Crisis
Fear Of Men
Her Name Is Calla - Navigator
Holy Fuck
Johnny Foreigner
Let's Buy Happiness
Maybeshewill
Napoleon IIIrd
Rose Elinor Dougall
Still Corners
Three Trapped Tigers
Tigercats
Others
Amber Coffman/Nat Baldwin (Dirty Projectors solo projects)
The Avalanches (yeah, right)
Bat For Lashes
Beck - Morning Phase (and possibly a second album)
Belle And Sebastian
Blonde Redhead
Caribou
Cat Power
Damon Albarn
Fleet Foxes
Gnarls Barkley
Grimes
Hamilton Leithauser (Walkmen frontman goes solo)
The Hold Steady
The Horrors
Interpol
Liars
Lykke Li
Manic Street Preachers - Futurology
Mew
Modest Mouse
The New Pornographers
Other Lives
Owen Pallett - In Conflict
The Pains Of Being Pure At Heart
Parquet Courts
Perfume Genius
Pulled Apart By Horses
The Rentals
School Of Language
Shearwater
Sisyphus (Sufjan Stevens, Son Lux and Serengeti)
Slow Club
Spoon
tUnE-YarDs
TV On The Radio
Wild Beasts
The Wrens (OK...)
Monday, December 30, 2013
And as for the rest of the year...
To round off reminiscences of things just past, a sprint through another 75 tracks that we loved this year that didn't appear on one of our top 50 albums. All that are there of these, plus a track from each of that top 50 that are streaming on there, are in this Spotify playlist.
65daysofstatic - Unmake The Wild Light
A Little Orchestra feat. Model Village - Josefina
And So I Watch You From Afar - Big Thinks Do Remarkable
The Android Angel - Her Shoulders
Archie Bronson Outfit - I Was A Dead Duck
Beaty Heart - Lekka Freakout
Benin City - My Love
Blessa - Between Times
Boxed In - All Your Love Is Gone
British Sea Power - Machineries Of Joy
Calories - The Curse/Daylight
Camera Obscura - Troublemaker
Cate Le Bon feat. Perfume Genius - I Think I Knew
Cheatahs - Kenworth
Charlie Boyer & The Voyeurs - Things We Be
Daft Punk feat. Panda Bear - Doin' It Right
David Bowie - Where Are We Now?
Dent May - Let Them Talk
Drenge - Bloodsports
Elizabeth Morris - Optimism
Empty Pools - Televised
EXPENSIVE - Always Want Us To
Fanfarlo - A Distance
Farewell J.R - A Thought, A Mind
Fire Island Pines - 1915
The Flaming Lips - Look...The Sun Is Rising
Frankie & The Heartstrings - That Girl, That Scene
Fuck Buttons - Brainfreeze
Ghost Outfit - Killuhs
Girl One And The Grease Guns - (Here Come The) Catastrophe Machines
Girls Names - Hypnotic Regression
The Graphite Set - These Streets
Heavy Petting Zoo - Broken Bone
Her Parents - Lithuanian Mercedes
Hooded Fang - Ode To Subterrania
Hookworms - Radio Tokyo
I Am Kloot - Bullets
Ides - Crybaby
John Grant - Glacier
Jungle - The Heat
The Julie Ruin - Cookie Road
Lanterns On The Lake - Another Tale From Another English Town
Marika Hackman - Bath Is Black
Mary Epworth - September
Maximo Park - Brain Cells
Mowbird - Happy Active Horse Organ
The National - Don't Swallow The Cap
PINS - Lost Lost Lost
Pixies - Bagboy
Plastic Animals - Pizarnik
Post War Glamour Girls - Jazz Funerals
R.Seiliog - Ostisho
Rachel Zeffira - Here On In
Radstewart - Beer Swindlers
Rose Elinor Dougall - Strange Warnings
Seazoo - Dog Hotel
Shhh...Apes! - Painkiller
Slow Skies - Close
Spotlight Kid - Budge Up
Stagecoach - Threequel
Still Corners - All I Know
Swearin' - Dust In The Gold Sack
Telegram - Follow
Tessera Skies - Milieu
The Thermals - Born To Kill
These Monsters - When The Going Gets Weird
Thirty Pounds Of Bone - The Snow In Kiel
Trust Fund - The Coolest Guy
Vienna Ditto - Liar Liar
Wire - Doubles & Trebles
The Witch Hunt - Crawl
Without Feathers - Red Little Heart
The Wytches - Beehive Queen
Yeah Yeah Yeahs - Sacrilege
Youth Lagoon - Dropla
65daysofstatic - Unmake The Wild Light
A Little Orchestra feat. Model Village - Josefina
And So I Watch You From Afar - Big Thinks Do Remarkable
The Android Angel - Her Shoulders
Archie Bronson Outfit - I Was A Dead Duck
Beaty Heart - Lekka Freakout
Benin City - My Love
Blessa - Between Times
Boxed In - All Your Love Is Gone
British Sea Power - Machineries Of Joy
Calories - The Curse/Daylight
Camera Obscura - Troublemaker
Cate Le Bon feat. Perfume Genius - I Think I Knew
Cheatahs - Kenworth
Charlie Boyer & The Voyeurs - Things We Be
Daft Punk feat. Panda Bear - Doin' It Right
David Bowie - Where Are We Now?
Dent May - Let Them Talk
Drenge - Bloodsports
Elizabeth Morris - Optimism
Empty Pools - Televised
EXPENSIVE - Always Want Us To
Fanfarlo - A Distance
Farewell J.R - A Thought, A Mind
Fire Island Pines - 1915
The Flaming Lips - Look...The Sun Is Rising
Frankie & The Heartstrings - That Girl, That Scene
Fuck Buttons - Brainfreeze
Ghost Outfit - Killuhs
Girl One And The Grease Guns - (Here Come The) Catastrophe Machines
Girls Names - Hypnotic Regression
The Graphite Set - These Streets
Heavy Petting Zoo - Broken Bone
Her Parents - Lithuanian Mercedes
Hooded Fang - Ode To Subterrania
Hookworms - Radio Tokyo
I Am Kloot - Bullets
Ides - Crybaby
John Grant - Glacier
Jungle - The Heat
The Julie Ruin - Cookie Road
Lanterns On The Lake - Another Tale From Another English Town
Marika Hackman - Bath Is Black
Mary Epworth - September
Maximo Park - Brain Cells
Mowbird - Happy Active Horse Organ
The National - Don't Swallow The Cap
PINS - Lost Lost Lost
Pixies - Bagboy
Plastic Animals - Pizarnik
Post War Glamour Girls - Jazz Funerals
R.Seiliog - Ostisho
Rachel Zeffira - Here On In
Radstewart - Beer Swindlers
Rose Elinor Dougall - Strange Warnings
Seazoo - Dog Hotel
Shhh...Apes! - Painkiller
Slow Skies - Close
Spotlight Kid - Budge Up
Stagecoach - Threequel
Still Corners - All I Know
Swearin' - Dust In The Gold Sack
Telegram - Follow
Tessera Skies - Milieu
The Thermals - Born To Kill
These Monsters - When The Going Gets Weird
Thirty Pounds Of Bone - The Snow In Kiel
Trust Fund - The Coolest Guy
Vienna Ditto - Liar Liar
Wire - Doubles & Trebles
The Witch Hunt - Crawl
Without Feathers - Red Little Heart
The Wytches - Beehive Queen
Yeah Yeah Yeahs - Sacrilege
Youth Lagoon - Dropla
Friday, December 27, 2013
STN Top 50 Albums Of 2013: 1
1 Future Of The Left - How To Stop Your Brain In An Accident
[iTunes] [Spotify] [Amazon]
They were always bound to make an STN album of the year one day, but in the rest of the land FOTL seem to have become so much more famous for Andy Falkous' extra-curricularisms - that piracy blog, that Pitchfork retort, his interviews and between-song comments generally - that it increasingly seemed their music is going unrewarded. Their fourth album appears to have noticed and summarily turned up the dials, ramped up the abrasion and transformed into a jackhammer. The usual motifs are all there - the scalpel-sharp gritted teeth humour, the collective musical drill to the senses - but with Jimmy Watkins now thoroughly inducted into the newly rejigged line-up - Julia Ruzicka's rolling basslines have found a way of ramping up the approaching menace even further - the acidic guitars are meatier and spikier than they have been for a while, rolling with the punches, coiling before unloading the tension with a post-hardcore zeal. If Falco's lyrics are still the real USP his vocals are becoming more adaptable to fit, channelling his demons into something that wouldn't qualify for restraint in most. And while most songs head direct for the cerebral cortex, the always present temptation/risk to extend beyond the self-imposed boundaries into whatever comes to hand is more prevalent without sacrificing the overall image. There's an eccentrically satirical four and a half minutes of barely hinged laser precision vituperation voiced in an approximation of RP. There's a sub-two minute Lightsabre Cocksucking Blues-like assault with a kazoo chorus. There's a couple of songs that are virtually slow-paced. There are, of course, lines that don't appear anywhere else in rock's lexicon, simultaneously funny (Falco cites Half Man Half Biscuit as a key influence) and brutal, sarcastic and relatable, as suits the target. As social satire bludgeons with post-Albini guitars set to maim they've always been out there on their own; now they've reset their goals, reset their targets and fired themselves into the sun.
[iTunes] [Spotify] [Amazon]
They were always bound to make an STN album of the year one day, but in the rest of the land FOTL seem to have become so much more famous for Andy Falkous' extra-curricularisms - that piracy blog, that Pitchfork retort, his interviews and between-song comments generally - that it increasingly seemed their music is going unrewarded. Their fourth album appears to have noticed and summarily turned up the dials, ramped up the abrasion and transformed into a jackhammer. The usual motifs are all there - the scalpel-sharp gritted teeth humour, the collective musical drill to the senses - but with Jimmy Watkins now thoroughly inducted into the newly rejigged line-up - Julia Ruzicka's rolling basslines have found a way of ramping up the approaching menace even further - the acidic guitars are meatier and spikier than they have been for a while, rolling with the punches, coiling before unloading the tension with a post-hardcore zeal. If Falco's lyrics are still the real USP his vocals are becoming more adaptable to fit, channelling his demons into something that wouldn't qualify for restraint in most. And while most songs head direct for the cerebral cortex, the always present temptation/risk to extend beyond the self-imposed boundaries into whatever comes to hand is more prevalent without sacrificing the overall image. There's an eccentrically satirical four and a half minutes of barely hinged laser precision vituperation voiced in an approximation of RP. There's a sub-two minute Lightsabre Cocksucking Blues-like assault with a kazoo chorus. There's a couple of songs that are virtually slow-paced. There are, of course, lines that don't appear anywhere else in rock's lexicon, simultaneously funny (Falco cites Half Man Half Biscuit as a key influence) and brutal, sarcastic and relatable, as suits the target. As social satire bludgeons with post-Albini guitars set to maim they've always been out there on their own; now they've reset their goals, reset their targets and fired themselves into the sun.
Thursday, December 26, 2013
STN Top 50 Albums Of 2013: 2
2 Los Campesinos! - No Blues
[iTunes] [Spotify] [Amazon]
The only way was up. Having put Hello Sadness' protracted breakup pains behind him - and how pointedly against that period the notably capitalised NO BLUES title seems - Gareth and the rest haven't yet put death and exes behind him/them, and with his hyperliterate self-examination existentialism it's increasingly a band in his image whatever's going on behind him, but this seems a trimmer album in more ways than a renumbering of personnel. The dynamic shifts have moved slightly sideways, prominent keyboards returning, wild riffs toned down in favour of charges and textures. The melodies are simultaneously more confident and less easy to grasp hold of, the choruses stand out more but are less willing to grab and throw the listener into the centre of the chanting circle (despite an actual cheerleading troupe's employment on Avocado, Baby) Similarly Gareth still yelps and pleads his words but having come through what might be the worst his surface confidence is restored for the first time since he was a post-grad ATP kid. The revenge fantasy imagery and football references aren't there for the sake of it but to link and express greater truths and feelings, still with tongue comfortably in cheek. If every LC! album is a new diary year this is the mid-20s post-breakdown point at which it's realised there's still plenty of time to grab hold of your destiny despite yourself. Moreover, this is the first time they've properly sustained a grower, new references, emotional shifts and ornate musical patterns and hooks emerging all the time, being about developing momentum rather than exuberance. Many still want them to be the band they were in 2008 but this is if not cutting off their earlier selves then putting in a dotted line that differentiates what now seem two clear eras. They're now wry dramatists who consider the many deaths while sounding like being alive.
[iTunes] [Spotify] [Amazon]
The only way was up. Having put Hello Sadness' protracted breakup pains behind him - and how pointedly against that period the notably capitalised NO BLUES title seems - Gareth and the rest haven't yet put death and exes behind him/them, and with his hyperliterate self-examination existentialism it's increasingly a band in his image whatever's going on behind him, but this seems a trimmer album in more ways than a renumbering of personnel. The dynamic shifts have moved slightly sideways, prominent keyboards returning, wild riffs toned down in favour of charges and textures. The melodies are simultaneously more confident and less easy to grasp hold of, the choruses stand out more but are less willing to grab and throw the listener into the centre of the chanting circle (despite an actual cheerleading troupe's employment on Avocado, Baby) Similarly Gareth still yelps and pleads his words but having come through what might be the worst his surface confidence is restored for the first time since he was a post-grad ATP kid. The revenge fantasy imagery and football references aren't there for the sake of it but to link and express greater truths and feelings, still with tongue comfortably in cheek. If every LC! album is a new diary year this is the mid-20s post-breakdown point at which it's realised there's still plenty of time to grab hold of your destiny despite yourself. Moreover, this is the first time they've properly sustained a grower, new references, emotional shifts and ornate musical patterns and hooks emerging all the time, being about developing momentum rather than exuberance. Many still want them to be the band they were in 2008 but this is if not cutting off their earlier selves then putting in a dotted line that differentiates what now seem two clear eras. They're now wry dramatists who consider the many deaths while sounding like being alive.
Tuesday, December 24, 2013
STN Top 50 Albums Of 2013: 4-3
4 Nick Cave and the Bad Seeds - Push The Sky Away
[iTunes] [Spotify] [Amazon]
After the extended midlife freakout of Grinderman and Dig!!! Lazarus Dig!!!, Cave and his slowly reformatting Bad Seeds took time to look at where they personally are in relation to what they'd just done. What that means is their most subtle record in some time, with Mick Harvey long gone Warren Ellis' relationship with atmospherics and spaciousness takes more of the centre stage. Against the vaunting bleakness Cave for his own part has largely dialled back from fire eyed bellowing to a a considerate timbre as befits the elliptical, liturgially minded spectator, undercutting emotions and voyeuristic descriptions and ideas with the knowledge that this increasingly belongs to other people. And then he went and did this.
3 Bill Callahan - Dream River
[iTunes] [Amazon]
The best thing Callahan has released since he retired the Smog soubriquet, it's also the thing he's done under his own name that sounds most like Smog. That is to say, music that loops and circles around his ever more Scotch-warmed honeyed voice and its metaphor heavy, narrative suggestive story-songs rather than, as late, finds its groove and sticks there. Resonant allusions - flight, spring, wind and water - recur, guitar, flute and hand percussion are used to colour in the lyrical landscapes, a Lambchop-type country-soul feel is evoked and everything and everyone seems more content and meditative with and around their situation, observing nature take its course. For one he's enjoying living, even romance. If this is Callahan at his most content, he's somehow found a way not to let it dull down his style.
[iTunes] [Spotify] [Amazon]
After the extended midlife freakout of Grinderman and Dig!!! Lazarus Dig!!!, Cave and his slowly reformatting Bad Seeds took time to look at where they personally are in relation to what they'd just done. What that means is their most subtle record in some time, with Mick Harvey long gone Warren Ellis' relationship with atmospherics and spaciousness takes more of the centre stage. Against the vaunting bleakness Cave for his own part has largely dialled back from fire eyed bellowing to a a considerate timbre as befits the elliptical, liturgially minded spectator, undercutting emotions and voyeuristic descriptions and ideas with the knowledge that this increasingly belongs to other people. And then he went and did this.
3 Bill Callahan - Dream River
[iTunes] [Amazon]
The best thing Callahan has released since he retired the Smog soubriquet, it's also the thing he's done under his own name that sounds most like Smog. That is to say, music that loops and circles around his ever more Scotch-warmed honeyed voice and its metaphor heavy, narrative suggestive story-songs rather than, as late, finds its groove and sticks there. Resonant allusions - flight, spring, wind and water - recur, guitar, flute and hand percussion are used to colour in the lyrical landscapes, a Lambchop-type country-soul feel is evoked and everything and everyone seems more content and meditative with and around their situation, observing nature take its course. For one he's enjoying living, even romance. If this is Callahan at his most content, he's somehow found a way not to let it dull down his style.
Monday, December 23, 2013
STN Top 50 Albums Of 2013: 6-5
6 Sky Larkin - Motto
[iTunes] [Spotify] [Amazon]
If Sky Larkin, now three albums and three lineups down, have sometimes seemed a little like the band that got left behind, this is the album where they reared up and kicked out. Raised on nervous tension and nervous energy alike, the addition of a second guitar beefed up the punch and spiked tautness of their sound while bringing out the best of the pair that were there all along, Nestor Matthews kicking seven shades out of his kit while Katie Harkin's lyrics play with phonetic sounds and meanings while retaining a personal truth and standpoint at their core, unafraid to bring out the dark, sung like she still feels the emotional strain. They feel that much bigger for the experiences, charging for their lives.
5 Joanna Gruesome - Weird Sister
[iTunes] [Spotify] [Amazon]
Every year this list includes an album like this perhaps surprisingly high up - a record that's not groundbreakingly original or interestingly developed but roars with the passion of youth, the "sort of band you'd want to be in" gambit. Weird Sister, a record that straps rocket boosters to fuzzbomb janglepop, is just such an album. It's because they've got the knack of building a dreamy lo-fi melody - and there are strong melodies, hooks, choruses, all that - and then letting a distorted, spiky riff slash it apart from the centre outwards while Alanna McArdle (un)comfortably handles both dispassionate sweetness and feral screaming. It's not big, though it can be clever, but right here and now it seems impossibly exciting.
[iTunes] [Spotify] [Amazon]
If Sky Larkin, now three albums and three lineups down, have sometimes seemed a little like the band that got left behind, this is the album where they reared up and kicked out. Raised on nervous tension and nervous energy alike, the addition of a second guitar beefed up the punch and spiked tautness of their sound while bringing out the best of the pair that were there all along, Nestor Matthews kicking seven shades out of his kit while Katie Harkin's lyrics play with phonetic sounds and meanings while retaining a personal truth and standpoint at their core, unafraid to bring out the dark, sung like she still feels the emotional strain. They feel that much bigger for the experiences, charging for their lives.
5 Joanna Gruesome - Weird Sister
[iTunes] [Spotify] [Amazon]
Every year this list includes an album like this perhaps surprisingly high up - a record that's not groundbreakingly original or interestingly developed but roars with the passion of youth, the "sort of band you'd want to be in" gambit. Weird Sister, a record that straps rocket boosters to fuzzbomb janglepop, is just such an album. It's because they've got the knack of building a dreamy lo-fi melody - and there are strong melodies, hooks, choruses, all that - and then letting a distorted, spiky riff slash it apart from the centre outwards while Alanna McArdle (un)comfortably handles both dispassionate sweetness and feral screaming. It's not big, though it can be clever, but right here and now it seems impossibly exciting.
Sunday, December 22, 2013
STN Top 50 Albums Of 2013: 8-7
8 Haiku Salut - Tricolore
[iTunes] [Spotify] [Amazon]
"Baroque-Pop-Folktronic-Neo-Classical-Something-Or-Other", the Derbyshire multi-instrumentalist trio call this sound, which does this bit out of a job. You might also add a twisted about version of post-rock's use of slow build, repetition and instrumental flourishes, deployed here so seemingly clashing parts - a fingerpicked acoustic, an accordion, an 8-bit electronic sample - gradually coalesce into form fitted shape, complex layers developing layers ande depth that can be as much floating and euphoric as pinpricks in existing melodic structure. Often incapable of sitting still, the loops and flourishes serve to both develop its baroque nature and then pull it apart. It's an album that knows its touchstones, whether Yann Tiersen, Haruki Murakami or Wes Anderson, but really sounds like nobody else.
7 Vampire Weekend - Modern Vampires Of The City
[iTunes] [Spotify] [Amazon]
The hi-life records may have been put away but Vampire Weekend's third album is just as studded with borrowed moves: R&B and gospel, pastoral synths and torch song languidness. This is their real world album, still any number of too-clever-by-half allusions but deployed not as self-aware signifiers but as collateral in the process of maturing. Death and its eventual inevitability without prior achievement is a semi-regular visitor. The studio becomes another instrument, as befits a band who now know how to use space and when to actually flood the aural spectrum, and if Rostam Batmanglij still too readily goes for the harpsichord setting it's less novelty, more scene-setting. This is VW's New York post-grad album, what happens when the socialites have to set up home for themselves.
[iTunes] [Spotify] [Amazon]
"Baroque-Pop-Folktronic-Neo-Classical-Something-Or-Other", the Derbyshire multi-instrumentalist trio call this sound, which does this bit out of a job. You might also add a twisted about version of post-rock's use of slow build, repetition and instrumental flourishes, deployed here so seemingly clashing parts - a fingerpicked acoustic, an accordion, an 8-bit electronic sample - gradually coalesce into form fitted shape, complex layers developing layers ande depth that can be as much floating and euphoric as pinpricks in existing melodic structure. Often incapable of sitting still, the loops and flourishes serve to both develop its baroque nature and then pull it apart. It's an album that knows its touchstones, whether Yann Tiersen, Haruki Murakami or Wes Anderson, but really sounds like nobody else.
7 Vampire Weekend - Modern Vampires Of The City
[iTunes] [Spotify] [Amazon]
The hi-life records may have been put away but Vampire Weekend's third album is just as studded with borrowed moves: R&B and gospel, pastoral synths and torch song languidness. This is their real world album, still any number of too-clever-by-half allusions but deployed not as self-aware signifiers but as collateral in the process of maturing. Death and its eventual inevitability without prior achievement is a semi-regular visitor. The studio becomes another instrument, as befits a band who now know how to use space and when to actually flood the aural spectrum, and if Rostam Batmanglij still too readily goes for the harpsichord setting it's less novelty, more scene-setting. This is VW's New York post-grad album, what happens when the socialites have to set up home for themselves.
Saturday, December 21, 2013
STN Top 50 Albums Of 2013: 10-9
10 Public Service Broadcasting - Inform - Educate - Entertain
[iTunes] [Spotify] [Amazon]
From Steinski to the Books vocal sampling has been reworked and repurposed to greater ends, but it's surprising nobody really thought of taking it in PSB's chosen direction before. Even without the public information films, newsreel stock and documentary film voiceovers it'd be a fascinating expedition, based on post-rock's eddying drones and slow build surges while taking in charging kosmiche and Neu!-flavoured Krautrock, bubbling layers of synth and beats, Eno-esque repetition, hauntology's fear of the dark and the odd run of bluegrass banjo. If the underlying sentiments are unashamedly nostalgic, evoking the spirit of invention and the adventurers of the age, the outcome skews danceable rhythms into fluid shapes and is ultimately, mightily euphoric.
9 Jetplane Landing - Don't Try
[iTunes] [Spotify] [Amazon]
In a year short on great post-hardcore records, some old stagers returned with a blitzkrieg. Picking up from the records before the last album Backlash Cop, itself now six years old, might seem a retrogressive move and Andrew Ferris' return to his native Derry may inform at least a couple of tracks but time isn't mellowing either the knife-fight power of the riffage that twists in on itself before racing towards the cliff or the speed, determination and linguistic athleticism of Ferris' delivery. There's a few pop melodies that don't seem commercial, huge crashing buzzsaw guitar hooks, chantalong bits and the angriest track is about lost Beat poet Gregory Corso. Standard JPL, then, but so much more than standardisation really.
[iTunes] [Spotify] [Amazon]
From Steinski to the Books vocal sampling has been reworked and repurposed to greater ends, but it's surprising nobody really thought of taking it in PSB's chosen direction before. Even without the public information films, newsreel stock and documentary film voiceovers it'd be a fascinating expedition, based on post-rock's eddying drones and slow build surges while taking in charging kosmiche and Neu!-flavoured Krautrock, bubbling layers of synth and beats, Eno-esque repetition, hauntology's fear of the dark and the odd run of bluegrass banjo. If the underlying sentiments are unashamedly nostalgic, evoking the spirit of invention and the adventurers of the age, the outcome skews danceable rhythms into fluid shapes and is ultimately, mightily euphoric.
9 Jetplane Landing - Don't Try
[iTunes] [Spotify] [Amazon]
In a year short on great post-hardcore records, some old stagers returned with a blitzkrieg. Picking up from the records before the last album Backlash Cop, itself now six years old, might seem a retrogressive move and Andrew Ferris' return to his native Derry may inform at least a couple of tracks but time isn't mellowing either the knife-fight power of the riffage that twists in on itself before racing towards the cliff or the speed, determination and linguistic athleticism of Ferris' delivery. There's a few pop melodies that don't seem commercial, huge crashing buzzsaw guitar hooks, chantalong bits and the angriest track is about lost Beat poet Gregory Corso. Standard JPL, then, but so much more than standardisation really.
Friday, December 20, 2013
STN Top 50 Albums Of 2013: 12-11
12 Nadine Shah - Love Your Dum And Mad
[iTunes] [Spotify] [Amazon]
Not to take away from Shah's own vision, but after Beth Jeans Houghton last year Ben Hillier seems to have sorted the art of producing singular female singer-songwriters who inhabit their own slow-burning headspace (both Geordies, too) Shah's soaringly emotive, velvety jazz-trained vocals bring a power to songs of darkness and betrayal that inhabit a place where escape is possible but lessons still have to be learned on what it is to fall out of love/favour/care. While never feelingl sorry for itself or coasting on wallowing, that atmosphere and the brooding backing with odd little touches heightens Shah's confessional, fearless feel.
11 Laura Marling - Once I Was An Eagle
[iTunes] [Spotify] [Amazon]
The four-song suite that opens the album finds Marling in flux, attempting to resolve how emotional instability can ever triumph, finding strength in adversity. Her most unashamed Joni/Bob-like sounding record yet, it's an occasionally uncomfortably lengthy recce through the rubble of a past of personal relationships, trading what wasn't even before now a fulsome sound for a more directly close-miked confessional aura, an intensity bordering on deliberately trained catharsis that acknowledges naivety but in denial, trusting in love even when she knows she shouldn't, developing into vengeance before insecurity rears its head. In further understanding herself, Marling's command of her lyrically driven id is making her more and more accomplished.
[iTunes] [Spotify] [Amazon]
Not to take away from Shah's own vision, but after Beth Jeans Houghton last year Ben Hillier seems to have sorted the art of producing singular female singer-songwriters who inhabit their own slow-burning headspace (both Geordies, too) Shah's soaringly emotive, velvety jazz-trained vocals bring a power to songs of darkness and betrayal that inhabit a place where escape is possible but lessons still have to be learned on what it is to fall out of love/favour/care. While never feelingl sorry for itself or coasting on wallowing, that atmosphere and the brooding backing with odd little touches heightens Shah's confessional, fearless feel.
11 Laura Marling - Once I Was An Eagle
[iTunes] [Spotify] [Amazon]
The four-song suite that opens the album finds Marling in flux, attempting to resolve how emotional instability can ever triumph, finding strength in adversity. Her most unashamed Joni/Bob-like sounding record yet, it's an occasionally uncomfortably lengthy recce through the rubble of a past of personal relationships, trading what wasn't even before now a fulsome sound for a more directly close-miked confessional aura, an intensity bordering on deliberately trained catharsis that acknowledges naivety but in denial, trusting in love even when she knows she shouldn't, developing into vengeance before insecurity rears its head. In further understanding herself, Marling's command of her lyrically driven id is making her more and more accomplished.
Thursday, December 19, 2013
STN Top 50 Albums Of 2013: 14-13
14 Daughter - If You Leave
[iTunes] [Spotify] [Amazon]
Cathartically heavy, gloomy atmospherically inclined female fronted bands seem two-a-penny these days; what Elena Tonra (and her two bandmates) have is a desperation and desolation really as two sides of the same coin. Tonra's adaptable vocals, leaning between angelically underplayed and stratospheric appealling to the fates and occasionally cracking under the strain, practically show off the emotional bruising. Beneath her guitars ripple across the icy atmosphere, the rushes of post-rock meeting shards of treated, broken riff before next time dropping into rhythmic folky fingerpicking. The listener might just feel emptied out themselves by the end, such is the detail implicit in the self-loathing that follows long dark nights of the romantic soul.
13 The Superman Revenge Squad Band - There Is Nothing More Frightening Than The Passage Of Time
[iTunes] [Spotify] [Amazon]
Most don't realise it yet, but Ben Parker might be Britain's most acute sadsack of a lyricist. Delivery hanging on for dear life to the tune, Parker cuts a self-reflexive figure feeling lost amid the rush of modern life, hanging on to past pop culture, worked through metaphor and self-deprecation like life aids. Reworking some of his previous solo recordings and a few new songs with a full band, including his brother and Nosferatu D2 drumming octoped Adam, an oddly shaped broader palette that manages to be awkward and lush simultaneously brings out the longing and determination behind these extraordinarily rendered tales of bittersweet break-ups and personal disenfranchisement.
[iTunes] [Spotify] [Amazon]
Cathartically heavy, gloomy atmospherically inclined female fronted bands seem two-a-penny these days; what Elena Tonra (and her two bandmates) have is a desperation and desolation really as two sides of the same coin. Tonra's adaptable vocals, leaning between angelically underplayed and stratospheric appealling to the fates and occasionally cracking under the strain, practically show off the emotional bruising. Beneath her guitars ripple across the icy atmosphere, the rushes of post-rock meeting shards of treated, broken riff before next time dropping into rhythmic folky fingerpicking. The listener might just feel emptied out themselves by the end, such is the detail implicit in the self-loathing that follows long dark nights of the romantic soul.
13 The Superman Revenge Squad Band - There Is Nothing More Frightening Than The Passage Of Time
[iTunes] [Spotify] [Amazon]
Most don't realise it yet, but Ben Parker might be Britain's most acute sadsack of a lyricist. Delivery hanging on for dear life to the tune, Parker cuts a self-reflexive figure feeling lost amid the rush of modern life, hanging on to past pop culture, worked through metaphor and self-deprecation like life aids. Reworking some of his previous solo recordings and a few new songs with a full band, including his brother and Nosferatu D2 drumming octoped Adam, an oddly shaped broader palette that manages to be awkward and lush simultaneously brings out the longing and determination behind these extraordinarily rendered tales of bittersweet break-ups and personal disenfranchisement.
Wednesday, December 18, 2013
STN Top 50 Albums Of 2013: 17-15
17 Summer Camp - Summer Camp
[iTunes] [Spotify] [Amazon]
Having put Condale-ish things aside, Elizabeth and Jeremy decided it was time to check where they were ultimately up to. Much as it's still centred on the Instagram synths and slightly askew melodic sense we're already used to, the sound branches out into well trodden paths - pulsing electro, retro disco, R&B and hip-hop production tricks, James Murphy half-inching - and seem more personal in their dealings with what love means and hope for something better while still sounding like this area the duo have already set up for themselves, one of easy warmth and Sankey's soaring vocals. It's an unashamed modern pop record, but not as straightforward as that.
16 Julia Holter - Loud City Song
[iTunes] [Spotify] [Amazon]
The scale and opacity of a song-cycle for the novella/film Gigi - not that not knowing about it precludes liking the record - might overcome lesser talents, but by placing her ambitions high Holter lands in a place that's coated with visualisations of high society opulence being led astray, subsumed in so much slow motion orchestration and soluble electroncs it feels like it has its own gravitational field. Some songs are more pastoral mini-symphonies than songs in the pop music idiom, others cleave to nothing but their own jumpiness, an individualist (if post-Kate Bush via Talk Talk) take on widescreen dramatics within its own internal narrative.
15 Savages - Silence Yourself
[iTunes] [Spotify] [Amazon]
See, everyone, this is *also* what post-punk was. The Siouxsie & The Banshees comparison could be easily thrown about, what with Jehnny Beth's stentorian presence over the kind of stereoscopic guitar sound that was John McGeogh's domain, but to transcend such influences requires a level of self-belief and tightness disguised as looseness to complement the dead-eye focus. They sound like a band rushing to keep up with each other, which is what all the best all-out post-punk bands did - if we're talking easy influences there's easily as much Wire and Peter Hook in there - mastering palpably taut tension and spectacular release. And then it ends with an uneasy jazz piece.
[iTunes] [Spotify] [Amazon]
Having put Condale-ish things aside, Elizabeth and Jeremy decided it was time to check where they were ultimately up to. Much as it's still centred on the Instagram synths and slightly askew melodic sense we're already used to, the sound branches out into well trodden paths - pulsing electro, retro disco, R&B and hip-hop production tricks, James Murphy half-inching - and seem more personal in their dealings with what love means and hope for something better while still sounding like this area the duo have already set up for themselves, one of easy warmth and Sankey's soaring vocals. It's an unashamed modern pop record, but not as straightforward as that.
16 Julia Holter - Loud City Song
[iTunes] [Spotify] [Amazon]
The scale and opacity of a song-cycle for the novella/film Gigi - not that not knowing about it precludes liking the record - might overcome lesser talents, but by placing her ambitions high Holter lands in a place that's coated with visualisations of high society opulence being led astray, subsumed in so much slow motion orchestration and soluble electroncs it feels like it has its own gravitational field. Some songs are more pastoral mini-symphonies than songs in the pop music idiom, others cleave to nothing but their own jumpiness, an individualist (if post-Kate Bush via Talk Talk) take on widescreen dramatics within its own internal narrative.
15 Savages - Silence Yourself
[iTunes] [Spotify] [Amazon]
See, everyone, this is *also* what post-punk was. The Siouxsie & The Banshees comparison could be easily thrown about, what with Jehnny Beth's stentorian presence over the kind of stereoscopic guitar sound that was John McGeogh's domain, but to transcend such influences requires a level of self-belief and tightness disguised as looseness to complement the dead-eye focus. They sound like a band rushing to keep up with each other, which is what all the best all-out post-punk bands did - if we're talking easy influences there's easily as much Wire and Peter Hook in there - mastering palpably taut tension and spectacular release. And then it ends with an uneasy jazz piece.
Tuesday, December 17, 2013
STN Top 50 Albums Of 2013: 20-18
20 Low - The Invisible Way
[iTunes] [Spotify] [Amazon]
Low haven't been slowcore as such for a while now, but their raw delicacy still requires taking the time and effort to lose yourself in. This tenth album, for its occasional nods at gospel and the Velvets, is still full of empty space and carefully arranged instrumentation around the room's edges but it's the most intricately layered and beauteous work they've produced for a good while. It invokes a stillness in time and the winds within its textures, while Alan and Mimi harmonise beautifully, making both their phrasing and the shades underneath mean that much more as they spin stories of personal heartbreak, redemption and a kind of eventual joyousness.
19 Islet - Released By The Movement
[iTunes] [Spotify] [Amazon]
The perpetual motion machine that is live Islet hasn't always suited being placed in perpetuity onto tape, so this time they decided to record as-live in various bedrooms. As always there's something straining to escape between the arrythmic marches, synth drones and the vocal exchange of cryptic oaths, introducing discordant quasi-tropicalia overheatedness to blindingly technicolour psychedelia and letting them fight it out to the death. It's a complete single work, floating ambient mood passages between the popping motorik frenzies and invention of space-indie. Tripping over itself with ideas, woozy with both possibilities and a metaphorical version of the bends, it needs to lie down in a darkened room.
18 Kiran Leonard - Bowler Hat Soup
[iTunes] [Spotify] [Amazon]
Clearly some kind of savant, the sixteen tracks on the then 17 year old uber-multi-instrumentalist's first properly released album hop joyfully between genres like a Todd Rundgren for the bedroom pop set. His type of troubled singer-songwriters are Harry Nilsson and Tom Waits rather than Barrett or Walker, but Van Dyke Parks is a more common through road of an influence for someone equally comfortable with music hall Kinksisms, baroquely orchestrated cracked balladry, fuzzy power-pop that falls into its own black hole and piano-led prog-pop ambitions, often employing the richest of developing croons, you feel post-folkish tags don't so much fail to constrain him as tell so little of the tale.
[iTunes] [Spotify] [Amazon]
Low haven't been slowcore as such for a while now, but their raw delicacy still requires taking the time and effort to lose yourself in. This tenth album, for its occasional nods at gospel and the Velvets, is still full of empty space and carefully arranged instrumentation around the room's edges but it's the most intricately layered and beauteous work they've produced for a good while. It invokes a stillness in time and the winds within its textures, while Alan and Mimi harmonise beautifully, making both their phrasing and the shades underneath mean that much more as they spin stories of personal heartbreak, redemption and a kind of eventual joyousness.
19 Islet - Released By The Movement
[iTunes] [Spotify] [Amazon]
The perpetual motion machine that is live Islet hasn't always suited being placed in perpetuity onto tape, so this time they decided to record as-live in various bedrooms. As always there's something straining to escape between the arrythmic marches, synth drones and the vocal exchange of cryptic oaths, introducing discordant quasi-tropicalia overheatedness to blindingly technicolour psychedelia and letting them fight it out to the death. It's a complete single work, floating ambient mood passages between the popping motorik frenzies and invention of space-indie. Tripping over itself with ideas, woozy with both possibilities and a metaphorical version of the bends, it needs to lie down in a darkened room.
18 Kiran Leonard - Bowler Hat Soup
[iTunes] [Spotify] [Amazon]
Clearly some kind of savant, the sixteen tracks on the then 17 year old uber-multi-instrumentalist's first properly released album hop joyfully between genres like a Todd Rundgren for the bedroom pop set. His type of troubled singer-songwriters are Harry Nilsson and Tom Waits rather than Barrett or Walker, but Van Dyke Parks is a more common through road of an influence for someone equally comfortable with music hall Kinksisms, baroquely orchestrated cracked balladry, fuzzy power-pop that falls into its own black hole and piano-led prog-pop ambitions, often employing the richest of developing croons, you feel post-folkish tags don't so much fail to constrain him as tell so little of the tale.
Monday, December 16, 2013
STN Top 50 Albums Of 2013: 25-21
25 Widowspeak - Almanac
[iTunes] [Spotify] [Amazon]
Having emerged as spaghetti western dreamers their second album headed further into the misty woods, forgoeing the twang in favour of wood crafted floating American gothic, finding a decaying heart in the pastoral, aided by Molly Hamilton's vocal similarities to the Hope Sandoval/Margo Timmins archetype. But that's not all, as inscrutable uncoling guitars of a Warpaint bent merge with charging rhythms and the odd heroic solo. It can handle a cinematic grandeur, but it can also sound like FM classic rock getting lost in the haunted forest well after dark. More relatable and romantic than before, the fog of emotions suits them well.
24 The River Cry - The River Cry
[iTunes] [Spotify] [Amazon]
If she'll forgive me for opening like this, who knew the bassist out of JJ72 had this in her? Having retreated to the Irish coast, Hilary Woods took to the piano and in her own time crafted a record of haunting lushness, looking out to sea and seeing lands lost and hope where once there was actuality. The reverb laden minimal instrumentation gives an extra spacious feel to the desolation, a trembling filmic reach that evokes coastal place and autumnal time just as well as the similarly piano-led PJ Harvey's White Chalk, marinaded in long dried tears and the sweat cost chasing lost causes.
23 Trips And Falls - The Inevitable Consequences Of Your Stupid Behavior
[iTunes] [Spotify] [direct]
The third UK-released album by the Montreal collective is just as jagged around the edges and tricky to pin down to simplistic terms as the first two, but there's been a paradigm shift from ornateness into the ramshackle. Songs turn from tentative to charging in a heartbeat, overlays folkified vocal stylings as likely with circling, itchy electrics as hushed acoustics, occasionally straining for the anthemic only to plunge an icy dagger through its own Psychedelic Furs in a blender ambitions. Amid all of this it still retains a heartfelt core, tying its jumping bean ambitions and its attendant noise and collapsing structures together with frayed heartstrings.
22 His Clancyness - Vicious
[iTunes] [Spotify] [Amazon]
Having progressed through the ornate bite of A Classic Education and the drifting quasi-chillwave of his early solo material, Jonathan Clancy morphed into something akin to the psychedelia revival-of-sorts, still with hints of drifting, dreaming dreampop but rooted in something fuzzier and earthier, starting in lo-fi bedroom pop range but firing off in all directions, semi-acoustic fragility one minute, retro synth patterns the next, glossy technicolour or rough edged, making sure it always maintains a similar grounding wherever the quixotic arrangement impulses pull and push. Never taking the simple route, always questioning what and where its narrative point is, there's potential to grow within its questing confidence.
21 Spectral Park - Spectral Park
[iTunes] [Spotify] [Amazon]
If this was the year neo-psychedelia started swallowing itself whole, at least it's given people like Luke Donovan full reign to try and reshape their peculiar overflow of ideas and crates of offbeat samples into pop songs. In his case the influence is in the mono joy of confusion stemming from the Zombies and early Pink Floyd, recorded in just short of full fidelity as hooks, scraps of melodies and bits of something intangible fall on top of each other to create actively teetering monuments of exotica-flavoured fantasias, bubblegum melodies for choruses attempting to sit atop a mania on the edge of motion sickness.
[iTunes] [Spotify] [Amazon]
Having emerged as spaghetti western dreamers their second album headed further into the misty woods, forgoeing the twang in favour of wood crafted floating American gothic, finding a decaying heart in the pastoral, aided by Molly Hamilton's vocal similarities to the Hope Sandoval/Margo Timmins archetype. But that's not all, as inscrutable uncoling guitars of a Warpaint bent merge with charging rhythms and the odd heroic solo. It can handle a cinematic grandeur, but it can also sound like FM classic rock getting lost in the haunted forest well after dark. More relatable and romantic than before, the fog of emotions suits them well.
24 The River Cry - The River Cry
[iTunes] [Spotify] [Amazon]
If she'll forgive me for opening like this, who knew the bassist out of JJ72 had this in her? Having retreated to the Irish coast, Hilary Woods took to the piano and in her own time crafted a record of haunting lushness, looking out to sea and seeing lands lost and hope where once there was actuality. The reverb laden minimal instrumentation gives an extra spacious feel to the desolation, a trembling filmic reach that evokes coastal place and autumnal time just as well as the similarly piano-led PJ Harvey's White Chalk, marinaded in long dried tears and the sweat cost chasing lost causes.
23 Trips And Falls - The Inevitable Consequences Of Your Stupid Behavior
[iTunes] [Spotify] [direct]
The third UK-released album by the Montreal collective is just as jagged around the edges and tricky to pin down to simplistic terms as the first two, but there's been a paradigm shift from ornateness into the ramshackle. Songs turn from tentative to charging in a heartbeat, overlays folkified vocal stylings as likely with circling, itchy electrics as hushed acoustics, occasionally straining for the anthemic only to plunge an icy dagger through its own Psychedelic Furs in a blender ambitions. Amid all of this it still retains a heartfelt core, tying its jumping bean ambitions and its attendant noise and collapsing structures together with frayed heartstrings.
22 His Clancyness - Vicious
[iTunes] [Spotify] [Amazon]
Having progressed through the ornate bite of A Classic Education and the drifting quasi-chillwave of his early solo material, Jonathan Clancy morphed into something akin to the psychedelia revival-of-sorts, still with hints of drifting, dreaming dreampop but rooted in something fuzzier and earthier, starting in lo-fi bedroom pop range but firing off in all directions, semi-acoustic fragility one minute, retro synth patterns the next, glossy technicolour or rough edged, making sure it always maintains a similar grounding wherever the quixotic arrangement impulses pull and push. Never taking the simple route, always questioning what and where its narrative point is, there's potential to grow within its questing confidence.
21 Spectral Park - Spectral Park
[iTunes] [Spotify] [Amazon]
If this was the year neo-psychedelia started swallowing itself whole, at least it's given people like Luke Donovan full reign to try and reshape their peculiar overflow of ideas and crates of offbeat samples into pop songs. In his case the influence is in the mono joy of confusion stemming from the Zombies and early Pink Floyd, recorded in just short of full fidelity as hooks, scraps of melodies and bits of something intangible fall on top of each other to create actively teetering monuments of exotica-flavoured fantasias, bubblegum melodies for choruses attempting to sit atop a mania on the edge of motion sickness.
Saturday, December 14, 2013
STN Top 50 Albums Of 2013: the bottom half
50 Buke & Gase - General Dome
[iTunes] [Spotify] [Amazon]
RIYL: General Dome
49 Alessi's Ark - The Still Life
[iTunes] [Spotify] [Amazon]
RIYL: The Rain
48 The Electric Soft Parade - Idiots
[iTunes] [Spotify] [Amazon]
RIYL: Brother, You Must Walk Your Path Alone
47 The Wave Pictures - City Forgiveness
[iTunes] [Spotify] [Amazon]
RIYL: Lisbon
46 Just Handshakes - Say It
[iTunes] [Spotify] [Bandcamp]
RIYL: London Bound
45 Woodpigeon - Thumbtacks And Glue
[iTunes] [Spotify] [Amazon]
RIYL: Red Rover, Red Rover
44 Georgia Ruth - Week Of Pines
[iTunes] [Spotify] [Amazon]
RIYL: Week Of Pines
43 Local Natives - Hummingbird
[iTunes] [Spotify] [Amazon]
RIYL: Heavy Feet
42 Totem Terrors - Repeat Play Torrent Rar
[iTunes] [Spotify] [Bandcamp]
RIYL: Weather Controller
41 Ice, Sea, Dead People - If It’s Broken, Break It More
[iTunes] [Spotify] [Amazon]
RIYL: You Could Be A Model
40 Andrew Paul Regan - Dinas Powys
[Bandcamp]
RIYL: Time Crisis, 1982
39 Laura J Martin - Dazzle Days
[iTunes] [Spotify] [Amazon]
RIYL: Red Flag
38 Mat Riviere - Not Even Doom Music
[iTunes] [Spotify] [Bandcamp]
RIYL: Wool
37 Euros Childs - Situation Comedy
[direct download] [Amazon]
RIYL: Tête à Tête
36 The Crimea - Square Moon
[iTunes] [Spotify] [Amazon]
RIYL: Last Plane Out Of Saigon
35 Cloud - Comfort Songs
[iTunes] [Spotify] [Amazon]
RIYL: Cars & It's Autumn
34 Ghostpoet - Some Say I So I Say Light
[iTunes] [Spotify] [Amazon]
RIYL: Them Waters
33 Shopping - Consumer Complaints
[iTunes] [Spotify] [Amazon]
RIYL: In Other Words
32 Mazzy Star - Seasons Of Your Day
[iTunes] [Spotify] [Amazon]
RIYL: In The Kingdom
31 Cloud Boat - Book Of Hours
[iTunes] [Spotify] [Amazon]
RIYL: Wanderlust
30 Everything Everything - Arc
[iTunes] [Spotify] [Amazon]
RIYL: Cough Cough
29 My Bloody Valentine - m b v
[direct purchase] [Amazon]
RIYL: In Another Way
28 Arcade Fire - Reflektor
[iTunes] [Spotify] [Amazon]
RIYL: Reflektor
27 Sweet Baboo - Ships
[iTunes] [Spotify] [Amazon]
RIYL: If I Died
26 Rick Redbeard - No Selfish Heart
[iTunes] [Amazon]
RIYL: Now We're Dancing
[iTunes] [Spotify] [Amazon]
RIYL: General Dome
49 Alessi's Ark - The Still Life
[iTunes] [Spotify] [Amazon]
RIYL: The Rain
48 The Electric Soft Parade - Idiots
[iTunes] [Spotify] [Amazon]
RIYL: Brother, You Must Walk Your Path Alone
47 The Wave Pictures - City Forgiveness
[iTunes] [Spotify] [Amazon]
RIYL: Lisbon
46 Just Handshakes - Say It
[iTunes] [Spotify] [Bandcamp]
RIYL: London Bound
45 Woodpigeon - Thumbtacks And Glue
[iTunes] [Spotify] [Amazon]
RIYL: Red Rover, Red Rover
44 Georgia Ruth - Week Of Pines
[iTunes] [Spotify] [Amazon]
RIYL: Week Of Pines
43 Local Natives - Hummingbird
[iTunes] [Spotify] [Amazon]
RIYL: Heavy Feet
42 Totem Terrors - Repeat Play Torrent Rar
[iTunes] [Spotify] [Bandcamp]
RIYL: Weather Controller
41 Ice, Sea, Dead People - If It’s Broken, Break It More
[iTunes] [Spotify] [Amazon]
RIYL: You Could Be A Model
40 Andrew Paul Regan - Dinas Powys
[Bandcamp]
RIYL: Time Crisis, 1982
39 Laura J Martin - Dazzle Days
[iTunes] [Spotify] [Amazon]
RIYL: Red Flag
38 Mat Riviere - Not Even Doom Music
[iTunes] [Spotify] [Bandcamp]
RIYL: Wool
37 Euros Childs - Situation Comedy
[direct download] [Amazon]
RIYL: Tête à Tête
36 The Crimea - Square Moon
[iTunes] [Spotify] [Amazon]
RIYL: Last Plane Out Of Saigon
35 Cloud - Comfort Songs
[iTunes] [Spotify] [Amazon]
RIYL: Cars & It's Autumn
34 Ghostpoet - Some Say I So I Say Light
[iTunes] [Spotify] [Amazon]
RIYL: Them Waters
33 Shopping - Consumer Complaints
[iTunes] [Spotify] [Amazon]
RIYL: In Other Words
32 Mazzy Star - Seasons Of Your Day
[iTunes] [Spotify] [Amazon]
RIYL: In The Kingdom
31 Cloud Boat - Book Of Hours
[iTunes] [Spotify] [Amazon]
RIYL: Wanderlust
30 Everything Everything - Arc
[iTunes] [Spotify] [Amazon]
RIYL: Cough Cough
29 My Bloody Valentine - m b v
[direct purchase] [Amazon]
RIYL: In Another Way
28 Arcade Fire - Reflektor
[iTunes] [Spotify] [Amazon]
RIYL: Reflektor
27 Sweet Baboo - Ships
[iTunes] [Spotify] [Amazon]
RIYL: If I Died
26 Rick Redbeard - No Selfish Heart
[iTunes] [Amazon]
RIYL: Now We're Dancing
Monday, December 09, 2013
Mowbird - Brompton/Happy Active Horse Organ
One track you'll have seen on our Tumblr (but therefore not on Hype Machine, which is why it's cravenly being reposted), one new out today, both from one of our favourite new British guitar bands of the very recent past's debut album Islander, out 10th February on Shape Records. Both constitute fuzzily frayed slacker garage, as much 13th Floor Elevators and Guided By Voices as Thee Oh Sees, an appeallingly spooked ramshackle charge.
Friday, December 06, 2013
Fourteen For '14: part two
Marika Hackman

There's been talk, with her Marlingish folk bent and fashion world credentials, that the 21 year old singer-songwriter could become something big, but we reckon she (and us) would be happier with the kind of music career trajectory her sometime producer Johnny Flynn has had, much admired by critics but too sharp and slippery for the post-Mumfords chart palette. In fact if she recalls anyone it's those troubled late 90s Cat Power albums, her self-taught guitar plucking adding a rickety terrain to lyrics that seem fogged and mildly cryptic even as the darkly desired emotion cuts to the bone.
Jungle

The duo behind Jungle have revealed little about themselves, going merely by the handles T and J. The temptation to call upon our usual rule of thumb - if you're being deliberately mysterious about a new musical project, we'll assume you're Chris de Burgh and move on - is great, but that's without hearing the music. They have the capacity to become London's own TV On The Radio in more than just a very Tunde Adebimpe-like falsetto, transmitting deep soul grooves and croons through a gauze of synth layers that are part chillgaze, part Ghostpoet/Invisible-like floorshaking heavy atmospherics.
We Three And The Death Rattle

Perhaps the most cumbersomely acronymed band of recent times, Leicester's WTATDR have been attracting attention for a while now but an album is ready to go come 10th February. In that time their Boss Hog/Gun Club dark blues vindictiveness has percolated and gone metallic (but not metal). Singer and occasional theremin...ist? Amy Cooper suggests an attitude you wouldn't want to get on the wrong side of, not least as most of the time it seems seconds away from ordering someone be taken out, dealing in a dysfunctional love life mirrored in the guitar-and-drums sludge hyperventilating behind her.
Telegram

If it carries on much longer there'll have to be a special section for hirsute psych-motorik bands produced by Dan Carey on iTunes. Telegram, though, might end up the pick of them, their noisily committed, hair-flinging live show complemented by the tripped out rush of urgent crafted noise that is debut single Follow, like they've just stepped out of a late 70s New York club, through a glam wardrobe and into the Rollercoaster tour, anthemic without all that now implies, energetically punchy and aiming stratospheric like a midpoint between early Roxy Music and Toy's record box.
Ralegh Long

As with some others in this selection we've had a decent length association with Ralegh - we premiered one of his videos last year - but he's never featured before in one of these lists and the spring should see the release of his debut album, featuring members of Toy, Hefner and A Little Orchestra. A proper reminder, then, of his sophisticated songsmithery, detailed as much in melody as lyric, the same sort of reconfigurating the DNA of jazz bar MOR-tainted classic pop moves into something less tangible that Robyn Hitchcock or Paddy McAloon once thrived upon.
Martha

Given you'd imagine every conceivable arrangement of three snappy chord power-pop had been long raked over, Martha have in their EP and single's worth of back catalogue somehow found a new punk-scented way of delivering an enthralling ride. It's not just the Durham outfit's way with earworm hooks that refreshingly lack in radio-ready obviousness or the rush of Buzzcocks harmonics that marks them out but their lightly worn lyrical intelligence, social, political and historical - this track below is a fictionalized account of the last days of poet Audre Lorde, and you can invade a stage to it.
Trust Fund

Trust Fund is Ellis Jones of Bristol, sometime confidante of Joanna Gruesome and so forth, whose Don't Let Them Begin EP wears its starkest lo-fi roots as a badge of honour and its heart squarely on its sleeve. Like Lou Barlow or Elliott Smith and through to Jeff Magnum, Ellis only seemingly wants to express the darkest parts of his psyche, developing an honesty about the path most taken that's as awkward as his playing, which could be close-miked confessional or grunge-inflected full band exorcism. You get the feeling he's an ace away from producing something fully realised as greatness.
There's been talk, with her Marlingish folk bent and fashion world credentials, that the 21 year old singer-songwriter could become something big, but we reckon she (and us) would be happier with the kind of music career trajectory her sometime producer Johnny Flynn has had, much admired by critics but too sharp and slippery for the post-Mumfords chart palette. In fact if she recalls anyone it's those troubled late 90s Cat Power albums, her self-taught guitar plucking adding a rickety terrain to lyrics that seem fogged and mildly cryptic even as the darkly desired emotion cuts to the bone.
Jungle
The duo behind Jungle have revealed little about themselves, going merely by the handles T and J. The temptation to call upon our usual rule of thumb - if you're being deliberately mysterious about a new musical project, we'll assume you're Chris de Burgh and move on - is great, but that's without hearing the music. They have the capacity to become London's own TV On The Radio in more than just a very Tunde Adebimpe-like falsetto, transmitting deep soul grooves and croons through a gauze of synth layers that are part chillgaze, part Ghostpoet/Invisible-like floorshaking heavy atmospherics.
We Three And The Death Rattle
Perhaps the most cumbersomely acronymed band of recent times, Leicester's WTATDR have been attracting attention for a while now but an album is ready to go come 10th February. In that time their Boss Hog/Gun Club dark blues vindictiveness has percolated and gone metallic (but not metal). Singer and occasional theremin...ist? Amy Cooper suggests an attitude you wouldn't want to get on the wrong side of, not least as most of the time it seems seconds away from ordering someone be taken out, dealing in a dysfunctional love life mirrored in the guitar-and-drums sludge hyperventilating behind her.
Telegram
If it carries on much longer there'll have to be a special section for hirsute psych-motorik bands produced by Dan Carey on iTunes. Telegram, though, might end up the pick of them, their noisily committed, hair-flinging live show complemented by the tripped out rush of urgent crafted noise that is debut single Follow, like they've just stepped out of a late 70s New York club, through a glam wardrobe and into the Rollercoaster tour, anthemic without all that now implies, energetically punchy and aiming stratospheric like a midpoint between early Roxy Music and Toy's record box.
Ralegh Long
As with some others in this selection we've had a decent length association with Ralegh - we premiered one of his videos last year - but he's never featured before in one of these lists and the spring should see the release of his debut album, featuring members of Toy, Hefner and A Little Orchestra. A proper reminder, then, of his sophisticated songsmithery, detailed as much in melody as lyric, the same sort of reconfigurating the DNA of jazz bar MOR-tainted classic pop moves into something less tangible that Robyn Hitchcock or Paddy McAloon once thrived upon.
Martha
Given you'd imagine every conceivable arrangement of three snappy chord power-pop had been long raked over, Martha have in their EP and single's worth of back catalogue somehow found a new punk-scented way of delivering an enthralling ride. It's not just the Durham outfit's way with earworm hooks that refreshingly lack in radio-ready obviousness or the rush of Buzzcocks harmonics that marks them out but their lightly worn lyrical intelligence, social, political and historical - this track below is a fictionalized account of the last days of poet Audre Lorde, and you can invade a stage to it.
Trust Fund
Trust Fund is Ellis Jones of Bristol, sometime confidante of Joanna Gruesome and so forth, whose Don't Let Them Begin EP wears its starkest lo-fi roots as a badge of honour and its heart squarely on its sleeve. Like Lou Barlow or Elliott Smith and through to Jeff Magnum, Ellis only seemingly wants to express the darkest parts of his psyche, developing an honesty about the path most taken that's as awkward as his playing, which could be close-miked confessional or grunge-inflected full band exorcism. You get the feeling he's an ace away from producing something fully realised as greatness.
Thursday, December 05, 2013
Fourteen For '14: part one
The first of two runs through this year's tips list. The usual caveats - anyone who's had a full length album out or been featured on an STN year in preview list before is disqualified, and these are not our tips for big things but those who we think are likely to do really good things over the forthcoming twelve months. This is how last year's thirteen fared, including three bands that have subsequently split up; may god have mercy on this selection's souls.
Heavy Petting Zoo

The Swansea outfit have a clear live focal point of their in-house dancer Jon, whose freeform flailings may make him the 10s equivalent of Wojtek from the Blue Aeroplanes. Behind him, and very much up front on record, is an equally compelling presence, singer Amy Zachariah, whose lustily fulsome commanding complements a raggedly direct surf-inflected garage attack. Having stormed their set at Swn festival - Huw Stephens, Jen Long and NME's Laura Snapes among those spreading its word - they self-released a single in October and should hopefully play their first proper gigs outside Wales soon.
EXPENSIVE

Primarily known as half of back bedroom folk-popsters the Middle Ones, Grace Denton's latest incarnation (with Pete Shadbolt and Matthew Cheney) takes the electro-pop and R&B production tropes and squirrels them away in a dark corner. Their take on electronic melody seems hand crafted, densely layered with arrythmically subtle beats and not being averse to taking the rutted path less travelled, attempting to keep hold of its melodic agility while flowering from tense development into something air-filled and colourful, Denton's vocals equally capable of dreaminess and rawness alike.
Blessa

If you can tell a band by the company they keep, that Blessa's recent single Between Times was produced by MJ of Hookworms should give you a fair idea. Not that they share the shoegaze blur of many of the bands he associates with, the Sheffield quintet crafting a cleaner sound where reverberating guitars are present but only a subtle part of a sophisticated jigsaw pattern built around finding the space between such strident elements as searching basslines, insistent beats and Olivia Neller's skylarking vocals, pitched somewhere between Veronica Falls' scuzzy melodies and Howling Bells' lost highway intransigence.
Shhh...Apes!

They don't sound like that name suggests, nor like the previous Cardiff scene associations of frontman and creative fulcrum Mark Foley (of Manchasm fame). Their EP The Shape Of Apes To Come instead paints delicate landscapes of ambient folk and Americana-influenced subtleties that stretch out and evolve into shivering emotiveness, achieved through delicate multi-instrumental layering, outreaching vocal harmonies and ebbing electronics. Low fans will find much to admire in its cinematic qualities that lift, coast and find new depths to explore on every listen. And if that's just for the introductory six track EP they could be heading somewhere special.
Plastic Animals

Another Edinburgh band brought to our attention by the indefatigable Song, By Toad label, Plastic Animals describe themselves as "atmospheric punk sludge rock" which makes them sound like the Melvins, ie not like what they do sound like. What they've developed into over three EPs over the last two and a bit years is electronically embellished, carefully layered hypnagogic pop shape formers that's been bundled into a helicopter travelling across a misty landscape, Deerhunter-style dreampop with the tremelo arm taped down, melodically lucid in creating far seeing atmospherics out of chiming lo-fi hypnosis.
Beaty Heart

The Peckham trio have been around for a while - we first wrote about them in May 2011 - but their development into the level of confidence in pulling off their sort of deluxe arrangements has been notable, culminating around March when their Dave Eringa-overseen debut album Mixed Blessings is released. They may touch on the hi-life fad of a few years ago but their stock in trade is percussive, harmonic overlapping post-freak-folk of a Panda Bear stripe, yearning sounding vocals rubbing like sandpaper against hallucinatory warped psychedelia loaded high with arrythmic drumming of various indigenous types.
Fire Island Pines

You don't really get a lot of luxuriousness in modern indie-pop, whether that refers to the delicately literate jangle of a Felt or Animals That Swim or the crumbling Victorian halls melodramatic splendour in decay of Jack or Gallon Drunk. Cornwall sextet Fire Island Pines are the best candidates we've heard for a while, their swooningly languid melodies and detailed trumpet laced lushness almost betraying Anton Rothschild's less than confident, clouds in front of the warm sunshine sensitivity lurking behind such budget sophistication, if his half-murmured half-crooned delivery hasn't suggested such already. An impending album is promised.
Seven more tomorrow!
Heavy Petting Zoo
The Swansea outfit have a clear live focal point of their in-house dancer Jon, whose freeform flailings may make him the 10s equivalent of Wojtek from the Blue Aeroplanes. Behind him, and very much up front on record, is an equally compelling presence, singer Amy Zachariah, whose lustily fulsome commanding complements a raggedly direct surf-inflected garage attack. Having stormed their set at Swn festival - Huw Stephens, Jen Long and NME's Laura Snapes among those spreading its word - they self-released a single in October and should hopefully play their first proper gigs outside Wales soon.
EXPENSIVE
Primarily known as half of back bedroom folk-popsters the Middle Ones, Grace Denton's latest incarnation (with Pete Shadbolt and Matthew Cheney) takes the electro-pop and R&B production tropes and squirrels them away in a dark corner. Their take on electronic melody seems hand crafted, densely layered with arrythmically subtle beats and not being averse to taking the rutted path less travelled, attempting to keep hold of its melodic agility while flowering from tense development into something air-filled and colourful, Denton's vocals equally capable of dreaminess and rawness alike.
Secrets in the Moss from EXPENSIVE on Vimeo.
Blessa
If you can tell a band by the company they keep, that Blessa's recent single Between Times was produced by MJ of Hookworms should give you a fair idea. Not that they share the shoegaze blur of many of the bands he associates with, the Sheffield quintet crafting a cleaner sound where reverberating guitars are present but only a subtle part of a sophisticated jigsaw pattern built around finding the space between such strident elements as searching basslines, insistent beats and Olivia Neller's skylarking vocals, pitched somewhere between Veronica Falls' scuzzy melodies and Howling Bells' lost highway intransigence.
Shhh...Apes!
They don't sound like that name suggests, nor like the previous Cardiff scene associations of frontman and creative fulcrum Mark Foley (of Manchasm fame). Their EP The Shape Of Apes To Come instead paints delicate landscapes of ambient folk and Americana-influenced subtleties that stretch out and evolve into shivering emotiveness, achieved through delicate multi-instrumental layering, outreaching vocal harmonies and ebbing electronics. Low fans will find much to admire in its cinematic qualities that lift, coast and find new depths to explore on every listen. And if that's just for the introductory six track EP they could be heading somewhere special.
Plastic Animals
Another Edinburgh band brought to our attention by the indefatigable Song, By Toad label, Plastic Animals describe themselves as "atmospheric punk sludge rock" which makes them sound like the Melvins, ie not like what they do sound like. What they've developed into over three EPs over the last two and a bit years is electronically embellished, carefully layered hypnagogic pop shape formers that's been bundled into a helicopter travelling across a misty landscape, Deerhunter-style dreampop with the tremelo arm taped down, melodically lucid in creating far seeing atmospherics out of chiming lo-fi hypnosis.
Beaty Heart
The Peckham trio have been around for a while - we first wrote about them in May 2011 - but their development into the level of confidence in pulling off their sort of deluxe arrangements has been notable, culminating around March when their Dave Eringa-overseen debut album Mixed Blessings is released. They may touch on the hi-life fad of a few years ago but their stock in trade is percussive, harmonic overlapping post-freak-folk of a Panda Bear stripe, yearning sounding vocals rubbing like sandpaper against hallucinatory warped psychedelia loaded high with arrythmic drumming of various indigenous types.
Fire Island Pines
You don't really get a lot of luxuriousness in modern indie-pop, whether that refers to the delicately literate jangle of a Felt or Animals That Swim or the crumbling Victorian halls melodramatic splendour in decay of Jack or Gallon Drunk. Cornwall sextet Fire Island Pines are the best candidates we've heard for a while, their swooningly languid melodies and detailed trumpet laced lushness almost betraying Anton Rothschild's less than confident, clouds in front of the warm sunshine sensitivity lurking behind such budget sophistication, if his half-murmured half-crooned delivery hasn't suggested such already. An impending album is promised.
Seven more tomorrow!
Tuesday, December 03, 2013
Miss us?
What? Oh.
Anyway, that's quite long enough to have been away from this place, and so STN is back to full working order just in time for the end of year festivities to commence on Saturday with the start of the slow reveal, long after everyone else's quick reveals, of our 14 For '14, followed by the usual top 50 albums of the year.
Saturday, September 28, 2013
Should mention that songs and 'stuff' are continuing to appear on the STN Tumblr. Posted today, the public unveiling of our project to list every Melody Maker cover star from 1980 to its demise.
Also from the Haus Of STN, One Short is an attempt to list every record that stalled at 41 in the Top 40 era.
Friday, September 06, 2013
STN, at least this bit of it, is going on hiatus for a bit while we work out where all the readers went. Much, much new music and musings will of course be kept up on our Twitter feed.
Thursday, September 05, 2013
Future Of The Left - Bread, Cheese, Bow And Arrow
The other day we declared Jetplane Landing's Don't Try, out this week, might be the best rock album emerging from the British Isles this year so far. Those last two words were it turns out (if kind of expectedly so) advisably used. FOTL's fourth album How To Stop Your Brain In An Accident is out on 21st October and judging by the first offering it's setting out with its industrial sledgehammer to crack every single definition of the word 'nut'. As taut, staccato guitars get set to stun Andy Falkous is possessed, howling and hissing lturns of phrase twisted back around themselves and coming out the other end all obtuse, leading towards a thunderous, righteous ending. The usual, then, but somehow far more so.
Sunday, September 01, 2013
The Ten: Totem Terrors' favourite songs
The Cardiff-via-Brighton duo Totem Terrors have long been STN favourites for their skewed art-rock wiriness, best exemplified so far on this year's Repeat Play Torrent Rar album.
As the first of a few people we're going to put this to, we asked Max and Rosie for their favourite/most influential songs, the pair of them taking five each:
Max
OMD - Electricity
I love this partially for Andy McCluskey's bass dance in the video. Perfect melancholy synth pop, impossible to resist groove.
Public Image Ltd - Poptones
Moebius meditation, the high point of the best album of it's day. Tonally extreme, sexually repetitive, numb ending.
Wire - The 15th
Masters of economy and the monotone melody. Music as art, art as a pop song.
Talking Heads - Warning Sign
Lyrical expansive, musically intelligent. Everything exact, nothing wasted.
Elvis Presley - Love Me Tender
My childhood hero, and first favourite song.
Rosie
The Wedding Present - Carolyn
The reason I wanted to play drums and therefore joined this band.
The Raincoats - No Side To Fall In
Girls being brilliant.
Tom Waits - Innocent When You Dream
No explanation needed.
Beat Happening - What's Important
My 16-year-old-self reason for wanting to make songs.
Belle & Sebastian - My Wandering Days Are Over
Perennial inspiration.
As the first of a few people we're going to put this to, we asked Max and Rosie for their favourite/most influential songs, the pair of them taking five each:
Max
OMD - Electricity
I love this partially for Andy McCluskey's bass dance in the video. Perfect melancholy synth pop, impossible to resist groove.
Public Image Ltd - Poptones
Moebius meditation, the high point of the best album of it's day. Tonally extreme, sexually repetitive, numb ending.
Wire - The 15th
Masters of economy and the monotone melody. Music as art, art as a pop song.
Talking Heads - Warning Sign
Lyrical expansive, musically intelligent. Everything exact, nothing wasted.
Elvis Presley - Love Me Tender
My childhood hero, and first favourite song.
Rosie
The Wedding Present - Carolyn
The reason I wanted to play drums and therefore joined this band.
The Raincoats - No Side To Fall In
Girls being brilliant.
Tom Waits - Innocent When You Dream
No explanation needed.
Beat Happening - What's Important
My 16-year-old-self reason for wanting to make songs.
Belle & Sebastian - My Wandering Days Are Over
Perennial inspiration.
Thursday, August 29, 2013
Elizabeth Morris - Optimism
Morris, pied piper figure of the current indiepop scene, is imminently moving to Italy. This doesn't mean Allo Darlin' are splitting, at least not imminently - in fact they've recently been recording their third album for release early next year, which from live outings sounds like the next step onwards, and have a handful of dates over the next couple of months. In the meantime Morris had written some more personal, piano-based songs while at home in Australia and wanting to get them down before leaving London recorded them (and a Wave Pictures cover) just two days ago chiefly on Darren Hayman's famous ship's piano for a four-track EP Optimism only available through Bandcamp. Spare, bruised and teetering on the precipice of emotional surety it's pretty clear these would never be full band songs but they bolster Morris' way with lyrical imagery and understanding what love is all about.
Sunday, August 25, 2013
The Superman Revenge Squad Band - A Funny Thing You Said
Longtime readers, if there are any left, will recall our coming over all unnecessary a few years ago about the lyrical greatness of Ben Parker through his two self-distributed albums and one EP as Superman Revenge Squad, a stream of consciousness set of abstractive self-lacerating observations and broadcasts from the slough of despond. After a few years away from that name ploughing a couple of other furrows he's formed a band, which while wrecking the minimal directness of those records does bring quite the colour palette with sax, cello and accordion worked in. Notably the band also includes Adam, Ben's brother and oppo in the still magnificent Nosferatu D2, and that almost relentless dynamism is as much the key as Ben's thoughts on the passage of time. The soon-come album There Is Nothing More Frightening Than The Passing Of Time is out 16th September in limited numbers and preorderable from the mighty Audio Antihero.
Friday, August 16, 2013
Let's Buy Happiness - Run
It's been a noticeably long time - fourteen months, in fact - since we last heard from the shimmering Geordie lovelies. Turns out, thankfully, that the most recent part of that time has been spent recording an album, titled Chants For Friends and out... soon. They've got a tour in October, of which more shortly, so maybe around then. Don't be fooled by the gentle acoustic lilt of the first half of its first taste, as once Sarah Hall's emotive voice starts echoing in and expressing self-doubt it looks set to lift off sooner rather than later, which it does with some trusty tremelo via a meander downstream. Less beauteous than it's letting on.
October dates:
4th & 5th Newcastle Cluny 2
6th Leeds Brudenell
7th London Hoxton Bar & Kitchen
8th Bath Moles
11th Banbury Also Known As (that's what it's called, apparently)
12th Sheffield Bowery
15th Manchester Night & Day
16th Sunderland Pop Recs
18th Aberdeen Tunnels
20th Glasgow Broadcast
21st Inverness Hootananny
23rd Edinburgh Sneaky Pete's
October dates:
4th & 5th Newcastle Cluny 2
6th Leeds Brudenell
7th London Hoxton Bar & Kitchen
8th Bath Moles
11th Banbury Also Known As (that's what it's called, apparently)
12th Sheffield Bowery
15th Manchester Night & Day
16th Sunderland Pop Recs
18th Aberdeen Tunnels
20th Glasgow Broadcast
21st Inverness Hootananny
23rd Edinburgh Sneaky Pete's
Thursday, August 15, 2013
Joanna Gruesome - Sugarcrush
It's looking like a very decent end of year for albums, and one real dark horse is emerging in the form of Joanna Gruesome's Weird Sister, out 9th September on home of the hits Fortuna Pop! We've already heard Secret Surprise; a steroid-enabled reworking of a song originally found on their 2011 self-released EP begins deep in dissonace country, cuts away to sweet vocal melodies while never quite letting go of the frantic rhythmic pace and post-Sonic Youth scrap metal yard blasts of proto-noise guitar, then slides into a coda two and a half minutes or so in that's frankly a right no-wave commotion. An aural cleanser and a statement of serrated intent alright.
Saturday, August 10, 2013
The Ten: great performances from The Tube
All new features that aren't just tracks die an almost immediate death on STN but let's press on with them regardless. Simple enough, The Ten, we'd like to think reflecting the post-Buzzfeed clamour for lists (though not the post-Buzzfeed clamour for facile gifs, those can fuck right off) - irregular collections of ten things, whether it be a guest list or a load of links, like this first one, putting together ten YouTube clips from the most beloved part of Channel 4's 1980s cultural hand.
The Jam - A Town Called Malice, appearing on the first show on one of their last live appearances
Frankie Goes To Hollywood - Relax, the performance with which they get discovered, followed by a somewhat overdressed and outnumbered Jools gaining exact knowledge on their style
The Smiths - Hand In Glove
The Proclaimers - Throw The R Away. It's not in this clip but Paula Yates famously introduced it as "something really weird", though by the looks of her she can talk
The Art Of Noise - Close To The Edit in literal clown outfits with a mass of Fairlights, synths, samplers and a mixing console, Paul Morley adding comments as is his wont. It should however be noted the setup hadn't extended as far as replacing the audience with dummies.
Trouble Funk - Still Smokin' Tyne-side
Dexys Midnight Runners - There There My Dear, the infamous nine minute reworking with a talky bit in the middle and Kevin doing press-ups
The Redskins - Hold On/Keep On Keepin' On with a not totally successful interjection from a striking miner
The Fall - Smile/2x4 chosen and introduced by John Peel
Grandmaster Flash - The Message, performing some of the worst breakdancing ever committed to tape. That's not a real policeman at the end.
The Jam - A Town Called Malice, appearing on the first show on one of their last live appearances
Frankie Goes To Hollywood - Relax, the performance with which they get discovered, followed by a somewhat overdressed and outnumbered Jools gaining exact knowledge on their style
The Smiths - Hand In Glove
The Proclaimers - Throw The R Away. It's not in this clip but Paula Yates famously introduced it as "something really weird", though by the looks of her she can talk
The Art Of Noise - Close To The Edit in literal clown outfits with a mass of Fairlights, synths, samplers and a mixing console, Paul Morley adding comments as is his wont. It should however be noted the setup hadn't extended as far as replacing the audience with dummies.
Trouble Funk - Still Smokin' Tyne-side
Dexys Midnight Runners - There There My Dear, the infamous nine minute reworking with a talky bit in the middle and Kevin doing press-ups
The Redskins - Hold On/Keep On Keepin' On with a not totally successful interjection from a striking miner
The Fall - Smile/2x4 chosen and introduced by John Peel
Grandmaster Flash - The Message, performing some of the worst breakdancing ever committed to tape. That's not a real policeman at the end.
Friday, August 02, 2013
And the rest: His Clancyness/Islet/Mammoth Penguins
His Clancyness - Zenith Diamond
Just four and a half years or thereabouts since we first wrote about Jonathan Clancy's solo project he announces an album, Vicious out 7th October. Actually, maybe because it's now officially a trio, it sounds more in the A Classic Education wheelhouse than the drifting lilt of old, a chugging riff and driving motorik-ish rhythm pulling along an occasionally unwilling vocal, darker, psych-ier and punchier than what we'd heard before; that its producer Chris Koltay has worked with Bradford Cox and Liars makes perfect sense.
Islet - Tripping Through The Blue Room (Part II)
You imagine that when it came to recording Released By The Movement, out 14th October, producer Stephen 'Sweet Baboo' Black didn't so much do the intricate instrumentation setting up as scatter a few live mikes, press record and hope for the best. Sounding like it's been partially recorded through a wall, dark ambient washes, distantly obscured psychedelic sounds, tribal rhythms and no legible words at all, suggesting alongside first taster Triangulation Station that this may be an even more elusive record than Illuminated People.
Mammoth Penguins - Propped Up By Affection
Not a name you'll be familiar with but a voice you might, that being of Emma Kupa, most recently one third of Without Feathers but more notably late of Standard Fare and now of, well, a scrappy indie-rock trio, more raw and cocksure but with the questioning heart intact. Just a set of demos for the time being but they sound confident and ready for battle.
Just four and a half years or thereabouts since we first wrote about Jonathan Clancy's solo project he announces an album, Vicious out 7th October. Actually, maybe because it's now officially a trio, it sounds more in the A Classic Education wheelhouse than the drifting lilt of old, a chugging riff and driving motorik-ish rhythm pulling along an occasionally unwilling vocal, darker, psych-ier and punchier than what we'd heard before; that its producer Chris Koltay has worked with Bradford Cox and Liars makes perfect sense.
Islet - Tripping Through The Blue Room (Part II)
You imagine that when it came to recording Released By The Movement, out 14th October, producer Stephen 'Sweet Baboo' Black didn't so much do the intricate instrumentation setting up as scatter a few live mikes, press record and hope for the best. Sounding like it's been partially recorded through a wall, dark ambient washes, distantly obscured psychedelic sounds, tribal rhythms and no legible words at all, suggesting alongside first taster Triangulation Station that this may be an even more elusive record than Illuminated People.
Mammoth Penguins - Propped Up By Affection
Not a name you'll be familiar with but a voice you might, that being of Emma Kupa, most recently one third of Without Feathers but more notably late of Standard Fare and now of, well, a scrappy indie-rock trio, more raw and cocksure but with the questioning heart intact. Just a set of demos for the time being but they sound confident and ready for battle.
Rose Elinor Dougall - Strange Warnings
After a stint as part of the Mark Ronson charabanc and having watched her brother become the famous one with Toy it does seem a while since Dougall has been around but this first taste of a second album we know nothing else about yet is a fine step onwards from Without Why, warmly floaty psych-pop that runs on intricate understatement, laced with aereated synths on nodding terms with Stereolab before nearly disappearing down a technicolour plughole. Rose plays the Shacklewell Arms, London on August 14th.
Sky Larkin - Loom
We've been anticipating a third album for a while now and now we have confirmation - Motto (we've already heard the title track), 16th September, produced as usual by John Goodmanson and preceded by a week by this single, perhaps more immediate than usual but very definitely that quiet explosion of lyrical intrigue - it's about "presence after loss", says Katie - and dynamic wired hooks we've come to expect.
September tour dates? September tour dates, all except Sunderland and Glasgow with the promising much Radstewart supporting:
17th London Lexington
18th Leicester Firebug
19th Sheffield Harley
20th Sunderland Pop Recs Ltd (Frankie & The Heartstrings' gaff, that)
21st Glasgow Nice'n'Sleazy
23rd Leeds Brudenell
24th Southampton Joiners
25th Nottingham Bodega
26th Cardiff 10 Feet Tall
28th Aldershot West End Centre
30th Manchester Deaf Institute
September tour dates? September tour dates, all except Sunderland and Glasgow with the promising much Radstewart supporting:
17th London Lexington
18th Leicester Firebug
19th Sheffield Harley
20th Sunderland Pop Recs Ltd (Frankie & The Heartstrings' gaff, that)
21st Glasgow Nice'n'Sleazy
23rd Leeds Brudenell
24th Southampton Joiners
25th Nottingham Bodega
26th Cardiff 10 Feet Tall
28th Aldershot West End Centre
30th Manchester Deaf Institute
Wednesday, July 24, 2013
Jetplane Landing - Walls Of Derry
Just when you thought it was safe to go to Derry and openly question general levels of rock commitment, JPL are back and sounding huge with fourth album Don't Try on September 2nd. We've heard the full thing and can report that rather than expand on the funk-laden left turn of the last time we saw them six years ago on Backlash Cop (STN's number nine album of the year, mind) it sounds like 2002 returning, more specifically the Million Dead/Reuben/Hundred Reasons landscape the Els Quatre Gats EP's full frontal post-hardcore assault was launched into - rarely a proper let-up, slamming boxcutter knife-edge melodies into big fuzzy riffs and Andrew Ferris' overwordy howling against the massed ranks. The pits will be unstoppable.
September dates:
2nd Sheffield Corporation
3rd Glasgow Stereo
4th Manchester Soup Kitchen
5th Nottingham Bodega
6th London Lexington
7th Cardiff Clwb Ifor Bach
11th Dublin Workman’s Club
13th Derry Glassworks
14th Belfast Limelight 2
September dates:
2nd Sheffield Corporation
3rd Glasgow Stereo
4th Manchester Soup Kitchen
5th Nottingham Bodega
6th London Lexington
7th Cardiff Clwb Ifor Bach
11th Dublin Workman’s Club
13th Derry Glassworks
14th Belfast Limelight 2
Friday, July 19, 2013
The Magic Theatre - I Got The Answer
Quirky indie found a good few discerning homes around the tail end of the 90s, few more live contenders than Ooberman's take on whimsically personalised melodicism. That band's joint voices Dan Popplewell and Sophia Churney now trade in baroque folk with a curiosity-fuelled twist, and from a debut album due in the autumn is this sweetly lovely positivist countrified lilt that suits this weather pretty well, if occasionally interrupted by the South American percussive jam next door.
Tuesday, July 16, 2013
The many faces of Alanna McArdle: Joanna Gruesome/Ides
Joanna Gruesome are a band we've written about on here before, Cardiff-based youthful noiseniks who turn from languishing shoegaze to raging post-hardcore on the spin of a dime. That excitable explosiveness has been synthesised into a hopefully cohesive whole by Hookworms' MJ as producer, given the title Weird Sister and set for September 16th UK release via the Fortuna Pop!/Slumberland axis of ace noise-pop. Going on the stumbling, spinning like a top wild-eyed post-riot grrrl/Sonic Youth determination of Secret Surprise they're on their way.
And when she's not doing that singer Alanna McArdle has her own outlet Ides, a home for her minimalist guitar and haunted/bruised vocal telling of despair and feeling lost inside herself. Prisms is coming out as part of Art Is Hard's Postcard Club, which as the name suggests is a limited edition run of specially designed postcodes with unique download code.
Ides plays Brighton Hope on 9th August, Bournemouth 60 Million Postcards on 10th and a house show in Bristol on the 12th, all with King Of Cats. Both entities play together in London twice in the month, on the 6th at Buffalo Bar with that man King Of Cats and the mighty Gindrinker, and on 31st at the Victoria, Dalston for Art Is Hard's third birthday, also shared with Best Friends, The Black Tambourines, Gorgeous Bully, Playlounge, Nai Harvest, Birdskulls and RadStewart (yes, Joanna Gruesome and Radstewart are playing the same bill, leave it now). After that, they will progress to overcome their foes and conquer the world. Possibly.
And when she's not doing that singer Alanna McArdle has her own outlet Ides, a home for her minimalist guitar and haunted/bruised vocal telling of despair and feeling lost inside herself. Prisms is coming out as part of Art Is Hard's Postcard Club, which as the name suggests is a limited edition run of specially designed postcodes with unique download code.
Ides plays Brighton Hope on 9th August, Bournemouth 60 Million Postcards on 10th and a house show in Bristol on the 12th, all with King Of Cats. Both entities play together in London twice in the month, on the 6th at Buffalo Bar with that man King Of Cats and the mighty Gindrinker, and on 31st at the Victoria, Dalston for Art Is Hard's third birthday, also shared with Best Friends, The Black Tambourines, Gorgeous Bully, Playlounge, Nai Harvest, Birdskulls and RadStewart (yes, Joanna Gruesome and Radstewart are playing the same bill, leave it now). After that, they will progress to overcome their foes and conquer the world. Possibly.
Subscribe to:
Posts (Atom)