The itinerant post-rock dramatists have stood back from a conveyor belt of solo side project releases, had a bit of a lineup rearrangement including picking up a passing Maybeshewillist, have been working on a new album for next year and, going on its first single, aren't any less shy about laying on the melodrama, underlaid this time by rolling piano under Tom Morris' pained vocal, sounding equal parts Thom Yorke and that one by Martin Grech, part of an extended build which rather than explodes coasts across the waves on feedback and delicate strings.
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