Monday, May 22, 2017

STN recommends: a massive May catchup

Right then. Buckle up.

We ended up taking blog downtime at the same time as EVERY BAND IN THE WORLD announced a return. First cab off that rank is the mighty Grizzly Bear, up til now perhaps America's most consistently fascinating band. Painted Ruins, out August 18th, brings us two tracks: Three Rings and Mourning Sound both start like a well oiled machine with drum loop and buzzing deep bassline before the multitude of layers come in. In the former wordless chorales and delicately interlocked pieces floating across uneven paths and firing off in all directions before coalescing and resolving around a mini-guitar solo striking and cresting at the heart of Ed Droste's emotional angst; Mourning Sound, boasting a good variety of retro synth sounds, is maybe more direct and radio friendly single-worthy standout than they've ever produced.

Next down the aisle come The National, whose Sleep Well Beast, out September 8th, brings us The System Only Dreams In Total Darkness, a slightly adjusted take on their slow burn dark poise, electrified bursts of guitar rudely interrupting the paranoid elegance that in what passes for a chorus sees Matt Berninger attempt to reach the highest parts of his vocal range reaching for a peak everything else doesn't feel like playing along with. While we're talking bands who've gone two decades finding new paths through inbuilt build-and-release tension, Mogwai release Every Country's Sun on 1st September, their ninth album proper, from which comes Coolverine, tingling and graceful with an undercurrent of anxiety that slowly builds as the drums enter into a spectacular panorama. This year's Brilliant Mogwai Track Title: Don't Believe The Fife. And then there's the multi-faced, multi-faceted Broken Social Scene, Hug of Thunder out 7th July as their first album in seven years, with an understated. skittering Feist-led title track locked into a steady if tense coast until the machines finally attempt to take over at the end.

Onto albums we already knew and have written about, starting with one practically made for us as Public Service Broadcasting, who release south Wales coal mining-themed Every Valley on 7th July, consider the social and political strides of women involved in and around the industry and the miner's strike on They Gave Me A Lamp, and our old showbiz pals Haiku Salut help out (and co-billed) on a track where interview samples are brought into a Haiku-esque series of exquisite interwoven loops eventually joined by a triumphant brass section. Napoleon IIIrd's The Great Lake came out on Friday - there's a full presentation of the album as part of Holmfirth Film Festival on Wednesday - and we'll talk about its late Talk Talk/slowcore with a sax-recalling treatises on dealing with loss in time, save to guide you towards So It Goes, its hymnal closing song of hope and recovery. Fleet Foxes' Crack-Up, out 16th June, has on whole attracted a little more attention, the purposefully striding Fool's Errand expanding the solitude chamber folk approach to take in the Technicolor influence of 1960s sunshine pop. And then there's Sparks. There's always Sparks, and there's always a Sparks song in the form of a conversation involving a laissez-faire God. What The Hell Is It This Time?, from 8th September-due Hippopotamus, is of their latter day goofy-orchestral bent in which the Almighty finally cracks under the pressure of constant prayers and entreaties for good.

And now a brief diversion into Bands You And We Both Like Who Have Released New Stuff Without An Album Seemingly On The Horizon. (Got to think of a catchier title than that.) LCD Soundsystem's fourth album will according to James Murphy be ready when the physical versions are ready, which seems almost self-parodic. In the meantime come two tracks, Call The Police a first cousin of All My Friends' propulsion with a greater ambition that leaves it sounding almost too much like a Brian Eno stadium-aiming production, while American Dream is for the morning after, a woozy fried ultra-introspective to the point of self-loathing self-examination to the backing of cheap waltz time drum machine and crystal synths. Courtney Barnett's How To Boil An Egg is for Split Singles Club, a 7" series the joint work of her own Milk! Records and Melbourne-based Bedroom Sucks, and a track she refers to as "a songwriting experiment", a brain-emptying treatise on loneliness and lack of achievement that stems from her open mic days and on which she plays every instrument in an appeallingly rockabilly fashion. Danger Mouse's track for Edgar Wright heist comedy Baby Driver is built around the intro riff from Jon Spencer Blues Explosion's Bellbottoms, which would be more than enough grimy funk for us without the flow weight of Run The Jewels and Big Boi added. The blues remains number one. Beach House meanwhile are releasing B-sides And Rarities, a self-defined stopgap, on June 30th, featuring the hitherto unreleased Chariot from the Depression Cherry/Thank Your Lucky Stars double session. There's no good apparent reason why its cinematic sway was left off, unless they thought it chiming airiness was too atypical of their sound.

Let's return to the transcendently dreamy melancholia of Amber Arcades' Cannonball EP for Wouldn't Even Know, featuring a Lee Hazlewood pitch-level cameo from Bill Ryder-Jones which gives it extra self-querying brooding. Electro-folkie Mary Epworth feels like she's been around for some time but is only just getting around to her second album five years after the debut, Elytral out 1st September; from it, Me Swimming glides and throbs entrancingly for more than six minutes, as aqueous and submergent as its title suggests. Michael Nau has been making detailed folk-rock as Cotton Jones, and under his own name on I Root he traces a path from there to classic soul, especially in its laidback shimmering production - album Some Twist is out June 16th.

Emma Winston as Deerful has drawn our attention before, and from debut album Peach out 2nd June comes the minimal synth introspection of Cloudwatching. Another we've written about a good few times in the past, Seazoo are finally approaching their debut as yet unconfirmed album with the aid of Roy's World, a sprightly piece of typically Welsh scene-scented warped insta-pop with an ineffable hook and wobbly psychedelic synths. Not quite as many of the latter as inside Flamingods' percussive psychotropia, which achieves a kind of divergent form with the tripped out shamanistic sound (and video) of Mixed Blessings, from EP Kewali out on Friday. Hey, Zola Blood, there's another name we've blogged before, and their album Infinite Games is out on Friday. The Only Thing has definite soaring ambitions of not being held down into another electropop act but not in that obvious radio-demanding way, instead attaching its ineffable melody to an appeallingly insistent misshapen beat.

Next, to Glasgow. Atlas Cedar is Chris Syme, whose In Hollywood quotes inspiration from Supertramp in the song information but comes across like a more Americana-friendly take on that Quiet Is The New Loud thing from around the start of the century, a hazy, well layered electro-acoustic shuffle with sonic nods to a late 60s aesthetic, unshowy but keen to imprint itself. Meanwhile the city's DIY/punk scene is as fertile as ever, Breakfast Muff's R U A Feminist, half of a double A-side ahead of an album due in July, full of piss and vinegar, Eilidh McMillan spitting out the words against an increasingly ragged and increasingly angry backing. From ragged punx to ragged lo-fi, What's In Your Bag? from Dublin's Silverbacks' Sink The Fat Moon EP, which came out on Friday, is built on the rickety foundations of laconic lo-fi.

Newly signed to Big Scary Monsters over here, Canadians Single Mothers are an incendiary proposition on Long Distance, essentially Japandroids to the power of Dischord. Second album Our Pleasure is out 16th June. Compass by Leeds' Esper Scout surges like the pop-accessible end of Sonic Youth, which isn't a bad thing when it's shaped into a subtly insistent charge of their own and around smart lyrical consideration of homeliness and displacement; the sometime Cribs support are going to be worth watching as they promise an album next year.

Here's a name you likely never expected to see again - Montreal's The Dears were almost a big deal around the mid-00s for their Smiths-inspired expansiveness. Now down to a duo, Times Infinity Volume Two is either their seventh or six-and-a-halfth depending on how you read it and returns them to the might and internal heft of their peak, 1998 a misleadingly upbeat gallop that eventually finds its sense of place and release in its closing quarter. And, perhaps very much finally, Cardiff's My Name Is Ian - go on, guess how many of them are called Ian - are about to go sixteen albums in seven years to the good with Cincinnati Cola via the ever reliable Bubblewrap Collective, the spectacularly titled Fight, Drink And Watch People Die On TV a pure garage indie-rock thrill.

Sunday, May 21, 2017

STN recommends... April 2017

Finally, very belatedly, the best new songs of the fourth month of the year.

Wednesday, May 03, 2017

STN recommends: 3/5/17

First things first, we realised we didn't get time to write a Recommends at the end of last week and then spent just as long putting the songs we wanted to write about on Twitter instead, so who's the real winner here?

















Drahla - Faux Text

From Leeds, a Too Pure Singles Club release, recorded by MJ at Suburban Home Studios - some people have worked out the express route to getting onto STN. And luckily it's a great single too, a menacing meeting of almost-spoken intrigue with surging art-noise guitars and skronking sax in the Sonic Youth lineage but none the worse in ideas and ominousness for that.




Soeur - Just Yet

There's been a few bands recently reaching back to the great gritty grunge sound of 1992, and not a lot of them are very good. Bristol via Worcester's Soeur, who we first came across just this weekend at Handmade festival, have the charm and nous to pull it off on their What Separates Us EP, knowing all about the key to it all being the capture and release, allied to the raw, sleazy dual female vocals. And check that riff bringing down buildings in its wake.




Orchards - Darling

Another Handmade discovery, Brightonians and recent PWR BTTM support Orchards are tricky to grab hold of, switching seamlessly from Foals-style slightly straightened angular hi-life influenced shapes to big showy synth-driven choruses to exuberant shiny poppiness, bursting with hooks throughout. Fans of Fickle Friends will find plenty to like here.




Monday, May 01, 2017

40 From 40: 1997

Cool Britannia! Backing Britain! Noel at No.10 with Tony! (There's a reason why we're posting this on 1st May 2017, obviously) Yeah, 1997 was the year that all kind of evaporated and Be Here Now was key in making it that way, alongside the old canard of just being too much of the workaday being hailed as next big things - note in this playlist even the bands thrown into the Britpop malaise are audibly making great distance from that form. The year's big winners as far as hindsight goes ended up being Radiohead, making the most of the first great uber-muddy Glastonbury and of the technologies made available to them to progress - which is telling given at the time almost as much critical hosannah-ing was being given to the Prodigy's hooligan breakbeat culmination Fat Of The Land, which from this distance has been thoroughly subsumed by the albums before it even before you factor in the very much timelocked context of a Crispian Mills cameo. Of course what actually sold in 1997 was the reworked Candle In The Wind, brought into a world that was all for the lachrymose having just made Puff Daddy's I'll Be Missing You an enormous starmaking vehicle, and, in long form, the Spice Girls, so great a cultural force that their Saturday Night Live appearance got on the actual news back over here. Chumbawumba of all bands had a massive international hit. Dimly remembered roots rockers Texas reinvented themselves to world-carrying effect. Someone tried to get New Grave going as a genre, while urban London took up speed garage, the opening strains of a very fascinating, very much evolving form (even if the recorded version largely existed in white label 12"s and remixes) that pretty much has a through-line via the following year's UK Garage boom to this day. Jeff Buckley and Michael Hutchence both left us, the latter a polarising force to rock stardom of the 1990s, the former an unwitting key text in the softening of the form in the early 00s. 1997 - a transitional year, but not in the usual way.




Spearmint - Sweeping The Nation
Comet Gain - These Are The Dreams Of The Working Girl
Velocette - Get Yourself Together
Kenickie - People We Want
Sleater-Kinney - Dig Me Out
Prolapse - Killing The Bland
AC Acoustics - Stunt Girl
Dawn Of The Replicants - Lisa Box
Cornelius - Freefall
Yo La Tengo - Sugarcube
Supergrass - Richard III
Clinic - IPC Subeditors Dictate Our Youth
The Mighty Mighty Bosstones - The Impression That I Get
Belle & Sebastian - Le Pastie De La Bourgeoisie
Grandaddy - A.M. 180
Radiohead - Airbag
Primal Scream - Burning Wheel
Cable - Freeze The Atlantic
Super Furry Animals - Demons
The Beta Band - Dry The Rain
Massive Attack - Risingson
Portishead - All Mine
Eels - Your Lucky Day In Hell
Flowchart - Flutter By Butterfly
Björk - Bachelorette
Spiritualized - Come Together
Blur - Death Of A Party
David Holmes - Don't Die Just Yet (The Holiday Girl) (Arab Strap Remix)
Six By Seven - 88-92-96
Mogwai - Mogwai Fear Satan
The Chemical Brothers - The Private Psychedelic Reel
Missy Elliott - Beep Me 911
Scott Garcia feat. MC Styles - A London Thing
Cornershop - Sleep On The Left Side
Tindersticks - Bathtime
Elliott Smith - Between The Bars
Nick Cave & The Bad Seeds - Into My Arms
Teenage Fanclub - Ain't That Enough
Sodastream - Turnstyle
Pavement - Shady Lane


Previously among the 40: 1970, 1972, 1975, 1976, 1979, 1983, 1986, 1987, 1989, 1991, 1994, 1999, 2002, 2004, 2005, 2008, 2009

Tuesday, April 25, 2017

40 From 40: 1975

*The* 1975, because pop SEO has to work in STN's favour at some time. The year of Rollermania, Whispering Grass, Sailing and the UK's best selling album being The Best of the Stylistics. Disco took off with plentiful American number ones and the Bee Gees' patronage. Bob Marley at the Lyceum was the public face of an underrated year in the progression of the golden age of reggae, as you'll see reflected in the closing suite of this playlist. Blood On The Tracks. Wish You Were Here. Horses. A rugged American songwriting hero in waiting simultaneously on the covers of Time and Newsweek magazines. Slade In Flame and Tommy proving two sides of the same music-filmic coin. I'm Not In Love. Bohemian Rhapsody. Peter Gabriel leaving Genesis. The Rolling Thunder Revue. Saturday Night Live beginning. Sean Lennon's birth. And in a once quiet corner, Punk magazine and the first Sex Pistols gigs. Meanwhile, back in the worlds of where glam meets pop or proto-punk, soul looks bleary-eyed at the dancefloor and funk and Krautrock do their particular, peculiar arrythmic things...




Bruce Springsteen - Thunder Road
Patti Smith - Land
Dr Feelgood - All Through The City
The Tubes - White Punks On Dope
The Dictators - Teengenerate
Television - Little Johnny Jewel
Pere Ubu - 30 Seconds Over Tokyo
Brian Eno - I'll Come Running
Sparks - Get In The Swing
Electric Light Orchestra - Evil Woman
Sailor - A Glass Of Champagne
Steve Harley & Cockney Rebel - Make Me Smile (Come Up And See Me)
Joni Mitchell - In France They Kiss On Main Street
Bob Dylan - Idiot Wind
The Isley Brothers - The Heat Is On Pts. 1 & 2
David Bowie - Fame
Ohio Players - Fopp
Earth, Wind & Fire - Shining Star
Donna Summer - Love To Love You Baby
Parliament - Give Up The Funk (Tear The Roof Off The Sucker)
War - Low Rider
The Meters - Fire On The Bayou
CAN - Vernal Equinox
NEU! - Hero
Harmonia - Walky Talky
Robert Wyatt - Solar Flares
Kraftwerk - Radioactivity
John Cale - Guts
The Walker Brothers - No Regrets
Yabby You - Conquering Lion
Burning Spear - Slavery Days
I-Roy - Welding
Sylford Walker - Burn Babylon
Johnny Clarke - Don't Want To Be A Rude Boy
Susan Cadogan - Congratulations
Cornell Campbell - Dance In A Greenwich Farm
Observer All-Stars & King Tubby - Dubbing With The Observer
U-Roy - The Great Psalms
Lee "Scratch" Perry - Hold Them Kung Fu
Trinity - Three Piece Suit


Previously among the 40: 1970, 1972, 1976, 1979, 1983, 1986, 1987, 1989, 1991, 1994, 1999, 2002, 2004, 2005, 2008, 2009

Friday, April 21, 2017

40 From 40: 1989

You know we always fill this part up by talking about how the year in question is transitional or misleading? It's not quite reflected here because of time, place, the best work coming in the previous two or three years and the ageing process as much as anything, but 1989 isn't one of those years. It was the Second Summer Of Love, the acid house and rave scene boom leading to one of the great youth culture moments, the year of smiley faces and baggy clothes, the TB-303 and breakbeats, countryside rendez-vous and overreaching hedonism comparisons. Even guitar bands started learning from it as Madchester caught on, just as Tony Wilson said it would. In time, for all the police attention and tabloid scare stories, they'd come to make documentaries about that summer. Also, Jive Bunny & The Mastermixers have three number ones, though one of the pair behind them will go on to found hard house label Tidy Trax so they still tangentially count. Like A Prayer and its religion-baiting video is the big worldwide hit of the year, cementing Madonna as the icon of the age, while in Britain it's the peak year of Stock Aitken Waterman, giving Sonia a number one, Jason Donovan the year's biggest selling album and the Reynolds Girls a shortlived career. Our biggest selling single is Ride On Time, reflecting house's commercial imperative and its habit of getting away with things, eh, Martha Wash? Then again this was the year of Milli Vanilli's secret slipping, so maybe that was just attuned to the times too. New Kids On The Block emerged as Ken left Bros, Band Aid II happened and this glorious minute's worth of TV fiasco happened. Are we going have a look at the possibilities?




Public Enemy - Fight The Power
Beastie Boys - Shake Your Rump
The D.O.C. - Portrait Of A Masterpiece
Double Trouble & Rebel MC - Street Tuff
Redhead Kingpin & The FBI - Do The Right Thing
Young MC - Know How
Neneh Cherry - Kisses On The Wind
De La Soul - Me, Myself & I
Momus - Hairstyle Of The Devil
808 State - Pacific 707
Orbital - Chime
Starlight - Numero Uno
Kon Kan - I Beg Your Pardon
Soul II Soul - Get A Life
New Order - All The Way
Popguns - Waiting For The Winter
The Wedding Present - Brassneck
Nirvana - About A Girl
Pavement - Box Elder
Another Sunny Day - You Should All Be Murdered
fIREHOSE - Riddle Of The Eighties
Kirsty MacColl - Free World
Robyn Hitchcock & The Egyptians - Madonna Of The Wasps
Yo La Tengo - Barnaby, Hardly Working
Pixies - Gouge Away
Fugazi - Margin Walker
Spacemen 3 - Revolution
Silver Bullet - 20 Seconds To Comply
Barry Adamson - Under Wraps
Happy Mondays - Hallelujah (Maccoll Mix)
Wire - Eardrum Buzz
The Sugarcubes - Regina
The Blue Nile - Headlights On The Parade
Kate Bush - The Sensual World
The Sundays - Can't Be Sure
Bob Mould - See A Little Light
The The - The Beat(en) Generation
The Cure - Lullaby
Galaxie 500 - Blue Thunder
The Stone Roses - I Am The Resurrection


Previously among the 40: 1970, 1972, 1976, 1979, 1983, 1986, 1987, 1991, 1994, 1999, 2002, 2004, 2005, 2008, 2009

Wednesday, April 19, 2017

STN recommends: 19/4/17

Because remember: NEW MUSIC DOES NOT STOP.


christian fitness - slap bass hunks

Please refer to yesterday's post.




Waxahatchee - Silver

Katie Crutchfield returns with a meaningful guitar crunch that harkens back to the days when we called this kind of thing 'college rock' and Tanya Donelly roamed the land. Big old hooks, self-questioning approach, streamlined for maximum emotional effect. Out In The Storm is out 14th July.




Slow Skies - Shut Your Eyes

It's been a while since we've heard anything new from Dublin's Karen Sheridan, whose 2014 EP intrigued us with its glacial shimmer and yaw. There's very little information about what this is for or from but, if slightly more approachable, it remains a delicate floating confection of Sheridan's honeyed vocal and a number of interesting textures gliding below the surface.




Two White Cranes - Miso

We last saw Roxy Brennan exploring her electronic urges as Furore; back to the guitar for a while she's almost lilting as she tackles the mental delocation of moving away. No definite news of a full release but there's some dates coming up




Tuesday, April 18, 2017

STN recommends: 18/4/17

Christian Fitness - Bees Mode

Reminder of STN policy: you don't write about Christian Fitness songs, you let them happen. Seems the next album's going to be called Slap Bass Hunks.




Girlpool - It Gets More Blue

When we first met Cleo and Harmony they were skeletal and direct; with maturity comes personal consideration and a filling out of a lot if not all of the gaps - listen! Drums! - which gives the music a tinge of Pavement lo-fi broken melody against the softly downcast harmonies without sacrificing that off the top of the head emotional intimacy.




Saint Etienne - Magpie Eyes

It's back to the club-ready machines, whirring dreamy synths and sequencers for the second taste of Home Counties, out 2nd June, inspired partially by the Creation Records tome but mostly by a sense of loss and missing out on the world.




Kamikaze Girls - Berlin

The Leeds duo - yeah, one of those again, we're afraid, but bear in mind what it takes for us to endorse a guitar/drums duo these days - are newly signed to Big Scary Monsters and roar out of the blocks with rough-hewn juggernaut riffs and powerhouse drums driven by focused fury. Album Seafoam is out June 9th.




Sweet Baboo - Wild Imagination

The title track from Stephen's latest album, released 2nd June, is a dreamy, one man Beach Boys on a budget concoction that like much of his best work is sweetly uplifting very much in his own world that's just a slightly more sepia printed version of ours.




Post War Glamour Girls - Pollyanna Cowgirl

For a moment there they sounded like they'd gone *cough* anthemic. From third album Swan Songs, out April 21st, serpentine guitars and James' familiar doomy vocal fighting back against the wall of indifference.




Deerful - Subjects Of Our Love

Emma Winston has done time in Darren Hayman's band and Owl & Mouse amongst others; in her solo guise - album Peach out June 9th - she takes up Gameboy and assorted slightly worn synths to create racing 8-bit electropop of a personal affirmation hue.




BEAK> - Sex Music

Geoff Barrow's other band, as you might recall, go for the motorik, vintage organ sound and turn out surprisingly slinky, if unsurprisingly dark in doing so.




The St Pierre Snake Invasion - Dick E Mozart

76 seconds of death-or-glory-but-the-former-if-at-all-possible crashing hardcore, part of the Too Pure Singles Club, from a Bristol band whose singer did the auxiliary vocals when Mclusky played their semi-reformation shows, which follows with his band's angry crash dynamics.




Her's - I'll Try

Swooningly, nimbly romantic playing itself off against Norwegian vocalist Audun Laading's distracted slacker slur, the Liverpool-based duo have turned a few heads for their somnambulent bedroom pop, all of which is collected on story-so-far compilation Songs Of Her's, out 12th May.


Sunday, April 16, 2017

40 From 40: 2009

As promised when we did 1970 on Good Friday, the other end of our forty-year spectrum and a list notably more biased than most, even if its span is only the last five years, towards what STN was writing about at the time anyway. The Big Pink were the hot new thing of the day and Duffy emerged as the big winner at the Brits, we took our entertainment where we could find it. Michael Jackson's death was announced late on the Thursday of Glastonbury, and starved of anyone else to talk to BBC News interviewed White Lies' touring keyboard player about it. Oasis split, properly this time. "Kanye'd" briefly becomes a thing with the unwitting aid of Taylor Swift, though nobody now remembers him doing the same to Justice's video directors at MTV Europe's beanfeast three years earlier. Lady Gaga in her original "mixing up outerwear and underwear" phase broke enormous. Susan Boyle had the world's biggest selling album. Confusing days.




Ebony Bones! - The Muzik
Dirty Projectors - Stillness Is The Move
Grizzly Bear - Two Weeks
Everything Everything - Photoshop Handsome
Napoleon IIIrd - The Strong Nuclear Force
Animal Collective - My Girls
The Phantom Band - The Howling
Grammatics - D.I.L.E.M.M.A.
Joe Gideon & The Shark - Civilisation
The Horrors - Sea Within A Sea
Rose Elinor Dougall - Start/Stop/Synchro
Broadcast And The Focus Group - the be colony
Mat Riviere - FYH
Wild Beasts - Hooting & Howling
Los Campesinos! - The Sea Is A Good Place To Think Of The Future
The Leisure Society - The Last Of The Melting Snow
The Low Anthem - Charlie Darwin
Laura Marling - Goodbye England (Covered In Snow)
Bat For Lashes - Moon And Moon
The Wave Pictures - If You Leave It Alone
The xx - VCR
Slow Club - Come On Youth
Emmy The Great - First Love
Jesca Hoop - Four Dreams
Camera Obscura - My Maudlin Career
Super Furry Animals - Inaugural Trams
Stairs To Korea - Boy Bear It In Mind
Copy Haho - Wrong Direction
Standard Fare - Dancing
The Drums - Let's Go Surfing
The Pains Of Being Pure At Heart - Come Saturday
Johnny Foreigner - Ghost The Festivals
Future Of The Left - Arming Eritrea
Colourmusic - Yes!
Nosferatu D2 - 2 People, 0 Superpowers
Sky Larkin - Summit
Bombay Bicycle Club - Always Like This
Broken Records - If Eilert Loevborg Wrote A Song, It Would Sound Like This
Luke Haines - 21st Century Man
Madness - The Liberty Of Norton Folgate


Previously among the 40: 1970, 1972, 1976, 1979, 1983, 1986, 1987, 1991, 1994, 1999, 2002, 2004, 2005, 2008, 2009

Friday, April 14, 2017

40 From 40: 1970

40 From 40 refers, as you've likely forgotten, to forty tracks from each of forty years, and this extended weekend we're going to tick off the alpha and omega of our chosen timeframe. 1970 first, a year when the 1960s hadn't quite finished yet - the Beatles were still officially a going concern until Paul announced his lack of plans in a Q&A to promote his debut solo album in April and then filed court documents for their dissolving on New Year's Eve. Jimi Hendrix and Janis Joplin died within two and a half weeks of each other at the same age, Simon & Garfunkel released their final album together and Mike Nesmith left the Monkees. The Isle Of Wight festival brought about the age of the outdoor field-based hootenanny, that and other open-air and collective events over the early summer inspiring a tiny affair in Pilton later in the year. Musically, soul was at the end of its first golden age, the singer-songwriters were on the march and loud things we couldn't understand yet were coming into focus.




Edwin Starr - War
The Temptations - Ball Of Confusion (That's What The World Is Today)
The Equals - Black Skinned Blue-Eyed Boys
The Jackson 5 - The Love You Save
Stevie Wonder - Signed, Sealed, Delivered (I'm Yours)
The Supremes - Stoned Love
Chairmen Of The Board - Give Me Just A Little More Time
The (Detroit) Spinners - It's A Shame
Freda Payne - Band Of Gold
Booker T & the MG's - Melting Pot
Bob & Marcia - Young, Gifted And Black
Dandy Livingstone - Rudy, A Message To You
The Upsetters - Clint Eastwood
Toots & The Maytals - 54-46 Was My Number
John Lennon - Instant Karma!
The Last Poets - When The Revolution Comes
James Brown - Super Bad (Parts 1 & 2)
Curtis Mayfield - Move On Up
Segun Bucknor & His Revolution - La La La
George Harrison - Wah-Wah
Syd Barrett - No Good Trying
Badfinger - Come And Get It
David Bowie - The Man Who Sold The World
The Beatles - Across The Universe
Nick Drake - At The Chime Of A City Clock
Simon & Garfunkel - The Boxer
James Taylor - Fire And Rain
Neil Young - After The Gold Rush
Joni Mitchell - Ladies Of The Canyon
David Ackles - That's No Reason To Cry
Van Morrison - Moondance
The Kinks - Powerman
The Velvet Underground - Sweet Jane
The Rattles - The Witch
Deep Purple - Black Night
The Stooges - T.V. Eye
Black Sabbath - Paranoid
Led Zeppelin - Immigrant Song
Amon Düül II - Archangels Thunderbird
T. Rex - Ride A White Swan