The Orielles - Sugar Tastes Like Salt
People who know things have been talking about the Halifax trio for a while, and now signed to Heavenly they've decided to abandon protocol and just go for it off the bat with an eight and a half minute debut single that swings gladly between reference points - scratchy post-punk, doomy psychedelia, frictionless punk-funk, Tarantino soundtracks, early Factory Records groove, dubby breakdown launching back into a sprint - whilst still seeming of a piece. It's a brave and exhilarating way to open, and it'll grab you before long if you make the commitment to run alongside it.
Feist - Pleasure
The title track from Leslie's first album in six years, out April 28th, is intriguingly low-key and swampy, even more so than the deliberate step away from over commerciality that Metals represented. Its single bluesy guitar with minimal backing and late on devolvement into wild-eyed half-shouted statements of intent recall Rid Of Me-era PJ Harvey, with the upfront brazenness mixed back in favour of the title's suggested hope of something basic and, yes, carnal to cling to.
Furore - Eyelid
Furore is Roxy Brennan, of what seems like hundreds of bands but chiefly by herself Two White Cranes. The guitar has been swapped for synths and a machine handclap setting, but even if it's more constrained by the machine beat the sense of turned inwards emotional rawness remains. An EP will be released on Mat Riviere's label Bleak Spring on April 3rd.
H. Grimace - Call It Out
When we first came across H. Grimace a few weeks back they were coiled springs, but if the second track we've heard from Self Architecht, out April 9th, is more restrained until its collapsing climax it's only through trying to push against where it's going, built on a cyclical insistent riff and the pure nervous energy coursing through the driving bassline and Hannah Gledhill's vocals alike.
Guided By Voices - Dr Feelgood Falls Off The Ocean
Robert Pollard feels like he releases fifty albums a month in various permutations, but GBV's August By Cake - a double! - will actually be his hundredth when released on 7th April. One year fewer than it took Billy Childish to get to that mark, by our reckoning. Apart from being driven by a drum machine, you pretty much know what to expect from this if you know your mid-paced slashing slacker end of the GBV template.
Pronto Mama - Double Speak
The percussion-heavy Glaswegian sextet, who release debut album proper Any Joy on 5th May, matches its urgent post-punk capture and release energy struggling to hold onto itself by considering what it is to think you have the world at your beck and call.