Neil Pennycook put the shapeshifting wonder of Meursault to bed last August and, bar a pause for the ace Bastard Mountain album, got to working on his own material once again under the Supermoon name, less filled out and more suited to devotional church service atmospherics than sonic cathedral but no less heart-on-sleeve emotive, beating heart melancholic or inventively arranged, and that distinctive voice is as strong as ever. From an EP of early recordings, try this example.
No comments:
Post a Comment