Monday, January 08, 2024

New sounds 8/1/24

My Best Unbeaten Brother - Slayer On A Sunny Day
Remember how we wanged on for years about Superman Revenge Squad, Ben Parker's wry and far too close to the bone at times solo project? And then when their album posthumously came out Nosferatu D2, Ben Parker's dynamic preceding duo with remarkable drummer brother Adam? Well, Ben's back recording for the first time since 2015 and the pair have got together with a third member in Ben Fry to deal in not dissimilar and therefore excellent waters, propulsive, heartfelt and philosophical in its awkward charge.



James Jonathan Clancy - I Want You
And another old favourite - we've been long-time supporters of a lot of the music Canadian born but for as long as we've known about him Bologna based Clancy has released in various forms. His first record under his birth name, inspired by the "apocalyptic pastoralism" of comic artist Michelangelo Setola, slips between retro-futurist detuning VHS synths, bucolic ambient folk, Scott Walker avant-garde and on this track a skyscrapingq quasi-spiritual psych-folk reminiscent of John Martyn circa Solid Air getting stranded in space.



Lilith Ai - Burner Phone
One of the stars of this year's Leicester Indiepop Alldayer returns by reframing her intensely personal songs into scrappy garage rock, swiping most of the Hate To Say I Told You So riff for something that could have come out of a mid-west basement in the early 90s as a means of singing about resilience, or as she puts it "conquering fear of showing up as yourself". Oh, what's this?



Buck Meek - Beauty Opens Doors
No sooner have Big Thief announced a year-long hiatus then both their main songwriters head straight out solo, with Adrianne Lenker's album rumoured for early spring and Meek releasing a fluttering prairie country offcut from August's Haunted Mountain album that's better than most of what made it onto the tracklisting.



Ricardo Autobahn - The Hands Of Porsche
It's now a good quarter of a century since Autobahn started mining the intersection of sampling, Eurodance beats and unashamed strain of novelty with the Cuban Boys, then being the power behind Daz Sampson's throne, being half of synth-pop post-ironists Spray, taking the synths in Helen Love, joining up with normal man Phil Fletcher to form TV theme cover duo the Pound Shop Boys and in all likelihood a thousand other things we've missed. This time around, from a forthcoming concept album (obviously), 1960s corporate fast car speak gets the cut-up treatment.


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