Never liked that name, but the Swedish indiepop almost-veterans have been a constant evolving spectre at the feast in an intriguing way. From a double A side out this week on the often reliable Labrador, it beefs up the Camera Obscura-ness of yore into something that marries stridency and a certain 80s pop influenced force with shoegaze-quoting guitar surges that sound like whalesong and breezy, contemplative, very Scandopop vocals.
No comments:
Post a Comment