If Curve had had access to laptop recording technology and had overloaded their keyboard effects to further the post-Sleigh Bells noise element they'd be somewhere near the icily digital warp factor sound of Severin, who've enlisted the increasingly interesting production, not to mention the increasingly busy calendar, of Rory Attwell. The bass alone would rot guts at ten paces.
1 comment:
Sounds like Jez from peepshow remixing some early 90s dross
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