Nearly two years ago we wrote about Bologna's Ofeliadorme (possibly Ofelia Dorme, not even they seem entirely sure) as "lilting but not quite lulling anyone into false senses of security". Since then, with February's advent of album All Harm Ends Here, they seem to have developed a sparse, karmic stillness, somewhere between Low's slow motion panic and Blonde Redhead's river of golden dreams, matched to Francesca Bono's Chan Marshall-esque voice.
No comments:
Post a Comment