Beckon - Festoon
The London six-piece fronted by Faith Taylor, once of Suggested Friends and Chorusgirl, describe themselves as "alternative folk/heartland rock" and, yeah, that's about as good a thumbnail description as we can offer, what with sax, forceful chorus and quasi-heroic solo plus violin, harmonies and shuffling beat. Debut album Between The Bridge And Tree is out at the end of the month.
Cheekface - Flies
America's Local Band return with what if their last couple of albums are any judge will be on an album to be given a surprise Bandcamp-first release one Tuesday in February. It features Jeff Rosenstock on sax. Don't worry in the slightest, you wouldn't automatically notice it.
Dancer - Didn't Mean To/Whisper Hiss - Go Again
The pair's split EP on HHBTM Records is out at the end of the week, our favourite art-post-punks more channel Dry Cleaning's big intricate guitar shapes against the taut groove this time around, though Gemma Fleet is as elusive as ever. On the flip of the 12"/just along the download Portland's Whisper Hiss similarly mine mutant new wave for the smart set dancefloor with the organ sound that all the best American post-punk bands had.
Florist - This Was A Gift
It's rather unfortunate that Florist's best album to date, 2019's Emily Alone which cracked our end of year top 50, is their only one as the title suggests to be recorded entirely by Emily Sprague. A new album, apparently featuring nineteen tracks *gulps very hard*, is on its way, preceded by a delicate, tender meander on the nature and embrace of love and heartbreak that would very much appeal to fans of solo Adrianne Lenker.
Geordie Greep - Blues
No, but what if Donald Fagen got really into Peter Hamill during a mescaline binge?
The Horrors - The Silence That Remains
Interesting in a way that they've returned to a Primary Colours sound of jazzy motorik drumming, gothic vocals, creepy synth and dark shoegaze-adjacent lengthy outro, having toyed with industrial noise in recent years and with a couple of line-up changes since their last album eight years ago. Night Life is out 21st... March?! We might be dead by then!
Lanny - ur an angel im evil
That'll be Lan McArdle, currently also of Ex-Void, an increasing length of time ago of Joanna Gruesome, well in with the 'if it's Owen Williams and your granny on bongos it's a Gob Nation band' collective, making herself at home with a surging cut that splits the difference between slacker power-pop and melodic jangle. What's more the album, bliss!! bliss! bliss, is out on the 29th.
Man/Woman/Chainsaw - The Boss
The shapeshifting but resolutely Windmillish kids are now on Fat Possum and have turned up the distortion to suit, symphonic violin parts rubbing like sandpaper against a weirdly theatrical thrust with noisy breakdowns. Produced by Daniel Fox of Gilla Band, whose credentials aside from those of his own group are starting to turn up on some very interesting records (Sprints, Lambrini Girls, GENN, Silverbacks)
WILLOW feat. Kamasi Washington - Wanted
Now then. Even if we discount Whip My Hair - she was nine! - Willow Smith has been quite the musical dilletante, playing with alt-R&B, 90s alt-rock singer-songwriters, neo-soul, dreampop, pivoting to pop-punk with Travis fucking Barker, and spiritual jazz on May's empathogen. The deluxe version of that album, ceremonial contrafact - I mean, come on - brings with it a high point, a psych-soul collaboration with the outstanding saxophonist that bridges the gap between the Janelle Monae of ten years ago and the Corinne Bailey Rae of last year.
Windowsill - Lasting
Nine luxuriant, ambitious minutes from the project of LA's Matt Maruskin, shuffling from acoustic lament to something more driven and eventually overdriven with guitar and what sounds like a pump organ. Second album Dwindlesill is out on the 18th.
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